{"id":1329,"date":"2025-02-10T10:57:49","date_gmt":"2025-02-10T09:57:49","guid":{"rendered":"https:\/\/francoisruegg.com\/?page_id=1329"},"modified":"2025-07-15T15:04:48","modified_gmt":"2025-07-15T13:04:48","slug":"expositions-publications","status":"publish","type":"page","link":"https:\/\/francoisruegg.com\/pt-br\/exposicoes-publicacoes\/","title":{"rendered":"Exposi\u00e7\u00f5es e publica\u00e7\u00f5es"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;100px|30px|115px|30px|false|true&#8221; custom_padding_tablet=&#8221;70px|15px|85px|15px|false|true&#8221; custom_padding_phone=&#8221;40px||55px||false|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;center&#8221; header_text_color=&#8221;rgba(21,21,21,0.6)&#8221; header_font_size=&#8221;37px&#8221; custom_margin=&#8221;0px||40px||false|false&#8221; custom_margin_tablet=&#8221;||25px||false|false&#8221; custom_margin_phone=&#8221;||20px||false|false&#8221; custom_margin_last_edited=&#8221;on|desktop&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; header_font_size_tablet=&#8221;32px&#8221; header_font_size_phone=&#8221;27px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Exposi\u00e7\u00f5es e publica\u00e7\u00f5es<\/h1>\n<p>[\/et_pb_text][pac_dtm_parent pac_dtm_position=&#8221;left&#8221; pac_dtm_full_width_gap=&#8221;0px&#8221; pac_dtm_animation=&#8221;on&#8221; pac_dtm_animation_duration=&#8221;200&#8243; pac_dtm_show_subtitle_inactive=&#8221;off&#8221; pac_dtm_show_icon_img_inactive=&#8221;off&#8221; pac_dtm_inactive_tab_background_color=&#8221;#FFFFFF&#8221; pac_dtm_tab_padding=&#8221;10px|15px|10px|15px|false|true&#8221; pac_dtm_tab_content_padding=&#8221;0px|0px|0px|0px|false|false&#8221; pac_dtm_content_scroll_width=&#8221;0px&#8221; pac_dtm_tab_padding_tablet=&#8221;|0px||0px|false|true&#8221; pac_dtm_tab_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; pac_dtm_tab_content_fonts_font_size=&#8221;17px&#8221; pac_dtm_tab_content_fonts_line_height=&#8221;1.2em&#8221; pac_dtm_tab_title_fonts_text_color=&#8221;#151515&#8243; pac_dtm_tab_title_fonts_font_size=&#8221;17px&#8221; pac_dtm_tab_title_fonts_line_height=&#8221;1.2em&#8221; pac_dtm_tab_subtitle_fonts_text_color=&#8221;#151515&#8243; pac_dtm_active_tab_title_fonts_font=&#8221;||||on||||&#8221; pac_dtm_active_tab_title_fonts_font_size=&#8221;17px&#8221; pac_dtm_active_tab_title_fonts_line_height=&#8221;1.2em&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; hover_enabled=&#8221;0&#8243; pac_dtm_tab_content_fonts_font_size_tablet=&#8221;16px&#8221; pac_dtm_tab_content_fonts_font_size_phone=&#8221;16px&#8221; pac_dtm_tab_content_fonts_font_size_last_edited=&#8221;on|desktop&#8221; pac_dtm_tab_title_fonts_font_size_tablet=&#8221;16px&#8221; pac_dtm_tab_title_fonts_font_size_phone=&#8221;16px&#8221; pac_dtm_tab_title_fonts_font_size_last_edited=&#8221;on|desktop&#8221; pac_dtm_active_tab_title_fonts_font_size_tablet=&#8221;16px&#8221; pac_dtm_active_tab_title_fonts_font_size_phone=&#8221;16px&#8221; pac_dtm_active_tab_title_fonts_font_size_last_edited=&#8221;on|desktop&#8221; border_width_bottom_pac_dtm_tab_border=&#8221;1px&#8221; border_color_bottom_pac_dtm_tab_border=&#8221;rgba(21,21,21,0.1)&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][pac_dtm_child pac_dtm_tab_label=&#8221;Pr\u00eamios e distin\u00e7\u00f5es&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<strong>2012<br \/>\n<\/strong>1er Prix \u00e0 la Biennale Internationale de C\u00e9ramique Contemporaine, Andenne, Belgique<\/p>\n<p><strong>2006<\/strong><br \/>\n2\u00e8me Prix au Concours de International Small Teapot, Saddleback Gallery, Mission Viejo, Californie, USA<\/p>\n<p><strong>2005<\/strong><br \/>\n1er Prix \u00e0 la Biennale Internationale de C\u00e9ramique Contemporaine, El Vendrell, Espagne<\/p>\n<p><strong>2004<\/strong><br \/>\nDistinction du Jury au 5\u00e8me Mashiko International Ceramics Contest, Japon<\/p>\n<p><strong>2003<\/strong><br \/>\n1er Prix \u00e0 la Biennale Internationale de Carreaux C\u00e9ramique, Buenos Aires<br \/>\nMention Honorable \u00e0 la 2\u00e8me Biennale World International, Cor\u00e9e du Sud<br \/>\nMention a la 6\u00e8me Biennale Internationale de C\u00e9ramique, Manises, Espagne<\/p>\n<p><strong>2001<\/strong><br \/>\nM\u00e9daille de Bronze, Prix \u00e0 la 1\u00e8re World International Ceramics Biennal, Mus\u00e9e Ichon Ceramic, Seoul, Korea<\/p>\n<p><strong>2000<\/strong><br \/>\nPrix du Jury \u00e0 la 6\u00e8me Golden International Competition, Taipei, Taiwan<\/p>\n<p><strong>1999<\/strong><br \/>\nMention a la 4\u00e8me Biennale ACS \u00ab Le Plat \u00bb, Soleure, Suisse<br \/>\nPrix \u00e0 la 2\u00e8me Triennale de C\u00e9ramique Elit-Tile, Santo Domingo<\/p>\n<p><strong>1998<\/strong><br \/>\nPrix \u00ab Acquisition \u00bb a la Sydney Myer International Ceramics Award, Shepparton, Australie<\/p>\n<p><strong>1997<\/strong><br \/>\nPrix Zadar \u00e0 la 5\u00e8me Triennale Internationale de C\u00e9ramique de petit Format, Zagreb, Croatie<\/p>\n<p><strong>1996<\/strong><br \/>\nMention \u00e0 la 1\u00e8re Triennale Internationale de C\u00e9ramique, Belgrade, Serbie<\/p>\n<p><strong>1989<\/strong><br \/>\n1er Prix \u00e0 la 15 \u00e8me Biennale de C\u00e9ramique Suisse, Yverdon-les-Bains, Suisse<\/p>\n<p><strong>1984<\/strong><br \/>\nMention a la 9\u00e8me Biennale Internationale de C\u00e9ramique, Vallauris, France<\/p>\n<p><strong>1981<\/strong><br \/>\nPrix Bourse Lissignol de la Ville de Gen\u00e8ve, Suisse[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Exposi\u00e7\u00f5es pessoais&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<p><strong>2023<br \/><\/strong><a href=\"https:\/\/chgallery.ch\/designers\/francois-ruegg\" target=\"_blank\" rel=\"noopener\">CH-Gallery<\/a>, Treytorrens, Suisse <strong><a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/IMG_7420.jpeg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/lien.svg\" width=\"18\" height=\"18\" alt=\"Lien\" class=\"wp-image-551 alignnone size-medium\" title=\"Exposi\u00e7\u00f5es e publica\u00e7\u00f5es\"><\/a><\/strong><\/p>\n<p><strong>2017-2018<\/strong><br \/>Mus\u00e9e Ariana, Gen\u00e8ve<a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/IMG_5888.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/04\/pdf.svg\" width=\"18\" height=\"18\" alt=\"Pdf\" class=\"wp-image-2487 alignnone size-medium\" title=\"Exposi\u00e7\u00f5es e publica\u00e7\u00f5es\"><\/a><\/p>\n<p><strong>2017<\/strong><br \/>View Space Gallery, Jingdezehen, China<\/p>\n<p><strong>2014<\/strong><br \/>Galerie Verve, Sao Paolo, Br\u00e9sil<br \/>Galerie \u00e0 Rebours, Favardin &amp; Mistre, Paris<br \/><a href=\"https:\/\/www.ceramicsnow.org\/archive\/caroline-andrin-francois-ruegg-puls-ceramics-brussels\/\" target=\"_blank\" rel=\"noopener\">Galerie Puls<\/a>, com Caroline Andrin,Bruxelles, Belgique<a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/puls-gallery-Francois-Ruegg.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/04\/lien.svg\" width=\"18\" height=\"18\" alt=\"Lien\" class=\"wp-image-2491 alignnone size-medium\" title=\"Exposi\u00e7\u00f5es e publica\u00e7\u00f5es\"><\/a><\/p>\n<p><strong>2011<\/strong><br \/>Galerie Lionel Latham, Gen\u00e8ve, Suisse<\/p>\n<p><strong>2005<\/strong><br \/>Galerie Lionel Latham, Gen\u00e8ve, Suisse<\/p>\n<p><strong>2003<\/strong><br \/>Galerie Das Ding ,Lucerne, Suisse<\/p>\n<p><strong>1998<\/strong><br \/>Galerie 5, Carouge, Suisse<\/p>\n<p><strong>1995<\/strong><br \/>Galerie Arte &amp; Fuego, Caracas, Venezuela<\/p>\n<p><strong>1993<\/strong><br \/>Galerie Marianne Brand, Carouge, Suisse<br \/>Galerie Lanka Ceramics, Colombo, Sri Lanka<\/p>\n<p><strong>1987<\/strong><br \/>Galerie Lionel Latham, Gen\u00e8ve, Suisse<\/p>\n<p><strong>1986<\/strong><br \/>Galerie Utopia, Lausanne, Suisse<\/p>\n<p><strong>1985<\/strong><br \/>Galerie CGA, Gen\u00e8ve, Suisse<\/p>\n<p>[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Exposi\u00e7\u00f5es e competi\u00e7\u00f5es&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>2024<br \/><\/strong>\u00abLibert\u00e9 conditionnelle\u00bb, <a href=\"https:\/\/www.musee-ariana.ch\/expositions\/liberte-conditionnelle\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e Ariana, Gen\u00e8ve<\/a><br \/>\u00ab\u00a0Merveilles\u00a0\u00bb, exposition pour les 200 ans du<a href=\"https:\/\/www.sevresciteceramique.fr\/programme\/actualites\/merveilles-exposition.html\" target=\"_blank\" rel=\"noopener\"> Mus\u00e9e de c\u00e9ramique de S\u00e8vres, Paris, France<\/a><\/p>\n<p><strong>2023<br \/><\/strong><span>\u00a0\u00abDialogue entre une pieuvre et un presse-agrumes\u00bb, <a href=\"https:\/\/mudac.ch\/expositions\/dialogue-entre-une-pieuvre-et-un-presse-agrumes\/\" target=\"_blank\" rel=\"noopener\">Mudac<\/a>, mus\u00e9e cantonal de design et d\u2019arts appliqu\u00e9s, Plateforme 10, Lausanne<\/span><\/p>\n<p><strong>2022<\/strong><br \/><a href=\"https:\/\/www.homofaber.com\/en\/discover\/franois-ruegg-idzvxm#about\" target=\"_blank\" rel=\"noopener\">Homo Faber<\/a>. Crafting a more human future \u2013 Porcelain virtuosity, Fondazione Giorgio Cini, Venise,Italie<br \/>Melting Pot, Swissceramics, Ch\u00e2teau de Nyon,CH<br \/>Comment changer du plomb en or, Centre d\u2019Art Contemporain Yverdon, CH<\/p>\n<p><strong>2018<\/strong><br \/>Objects in mirror are closer than they appear, Kunstforum Gallery, Solothurn, Suisse<\/p>\n<p><strong>2017<\/strong><br \/>The Second International Ceramics Exhibition Qingdao Sculpture Art Museum, Qingdao, Chine<\/p>\n<p><strong>2016<\/strong><br \/>East and West Invitational Ceramic Exhibition, Heritage and Diversity, Hanyang University Museum, Seoul, cor\u00e9e du Sud<\/p>\n<p><strong>2013<\/strong><br \/>Galerie KisstheDesign, Lausanne, Suisse<\/p>\n<p><strong>2012<\/strong><br \/>12\u00e8me Concours International de C\u00e9ramique Contemporaine, CERCO, Espagne<br \/>Exposition de l\u2019AIC, au New Mexico Museum of Art, Santa Fe, USA<br \/>Black is not Black, Galerie Picci, Lausanne, Suisse<\/p>\n<p><strong>2011<\/strong><br \/>Helv\u00e8tes Vulcains, Mus\u00e9e du Design &amp; Art Contemporain, MUDAC, Lausanne, Suisse<\/p>\n<p><strong>2010<\/strong><br \/>Exposition de l\u2019AIC Mus\u00e9e National de S\u00e8vres, Paris,<\/p>\n<p><strong>2009<\/strong><br \/>50 ans de l\u2019ACS : C\u00e9ramique de Grand Format, Halles de la Fonderie, Gen\u00e8ve, Suisse<br \/>Galerie de l\u2019H\u00f4tel de Ville, Yverdon-les-Bains, Suisse Down to Earth, Culturcentrum Gallery, Strombeck, Belgique<br \/>Gold Porcelain, Mus\u00e9e Bellerive, Zurich, Suisse<\/p>\n<p><strong>2008<\/strong><br \/>Biennale de Vallauris, France, la Suisse invit\u00e9e<\/p>\n<p><strong>2007<\/strong><br \/>1\u00e8re Jungzhen International Ceramic Exhibition, Mus\u00e9e Wison,Shanghai, Chine<\/p>\n<p><strong>2006<\/strong><br \/>Triennale de C\u00e9ramique de Petit Format, Elit-Tile, Santo Domingo<br \/>2\u00e8me International Small Teapot Exhibition, Galerie Saddleback College, Viejo, Californie<br \/>Galerie EAO, Lausanne<\/p>\n<p><strong>2005<\/strong><br \/>Triennale de C\u00e9ramique de Petit Format, Elit-Tile, Santo Domingo<br \/>2\u00e8me International Small Teapot Exhibition, Galerie Saddleback College, Viejo, Californie<br \/>Galerie EAO, Lausanne<\/p>\n<p><strong>2004<\/strong><br \/>1\u00e8re Biennale Internationale de C\u00e9ramique Contemporaine, Taipei, Taiwan<br \/>Galerie HWK, Munich, Allemagne<br \/>Concours Sydney Myer Fund International Ceramics, Australie<br \/>7\u00e8me Biennale Internationale de C\u00e9ramique, Le Caire, Egypte<br \/>Galerie St. Joseph, Leeu<\/p>\n<p><strong>2003<\/strong><br \/>Kunsthuis Ingrith Desmet, Heule, Belgique<br \/>2\u00e8me Biennale Mondiale de C\u00e9ramique Contemporaine, Ichon, Cor\u00e9e du Sud 1\u00e8re Biennale Internationale de Carreaux C\u00e9ramique, Buenos Aires, Argentine 6\u00e8me Biennale Internationale de C\u00e9ramique, Manises, Vale<\/p>\n<p><strong>2002<\/strong><br \/>Exposition AIC, Ath\u00e8nes, Gr\u00e8ce 3\u00e8me Triennale Elit-Tile, Santo Domingo<\/p>\n<p><strong>2000<\/strong><br \/>Concours Orton Box Show, Kansas City, USA Sydney Myer Fund International Ceramic Competition, Australie 6\u00e8me Concours International de C\u00e9ramique, Mus\u00e9e Taipei County Yingko Ceramics, Taiwan Exposition AIC, Mus\u00e9e Keramion, Frechen, Allemagne<\/p>\n<p><strong>1998<\/strong><br \/>Concours International de C\u00e9ramique, Galerie Sydney Myer Fund , Shepparton, Australie Intercambio 3, Mus\u00e9e Jacobo Borges, Caracas, Venezuela<\/p>\n<p><strong>1996<\/strong><br \/>Exposition Internationale de C\u00e9ramique Contemporaine, Mus\u00e9e Total of Contemporary Arts, Seoul, Cor\u00e9e du Sud Exposition AIC, Mus\u00e9e Saga Prefecture, Saga, Japon C\u00e9ramique Europ\u00e9enne 96, Mus\u00e9e Keramion, Frechen, Allemagne<\/p>\n<p><strong>1995<\/strong><br \/>Concours International de C\u00e9ramique\u00ab Calligraphie \u00bb, Mus\u00e9e de Carouge , Suisse Exposition Internationale de Miniprints, Barcelone, Espagne<\/p>\n<p><strong>1993<\/strong><br \/>7\u00e8me Biennale de C\u00e9ramique Contemporaine, Ch\u00e2teauroux, France 1er Concours International de C\u00e9ramique, Sarreguemines, France<\/p>\n<p><strong>1992<\/strong><br \/>3\u00e8me Triennale Internationale de Porcelaine, Nyon, Suisse Configura I, Plastic Arts Show, Erfurt, Allemagne Exposition de Design C\u00e9ramique, Valencia, Espagne 1\u00e8re Triennale Internationale de C\u00e9ramique, Le Caire, Egypte<\/p>\n<p><strong>1991<\/strong><br \/>16\u00e8me Biennale de C\u00e9ramique Suisse, Winterthur, Suisse<\/p>\n<p><strong>1990<\/strong><br \/>Galerie B\u00f6wig, Hanovre, Allemagne Galerie Gloria, Nicosie, Chypre C\u00e9ramistes Contemporains, Ch\u00e2teau d\u2019Aubonne, Suisse<\/p>\n<p><strong>1989<\/strong><br \/>C\u00e9ramique Europ\u00e9enne, Auxerre, France Galerie I.N.O.V. , Paris, France \u00ab Autour de la table \u00bb, Mus\u00e9e des Arts D\u00e9coratifs, Lausanne, Suisse Exposition Max Laeuger-Preis, Mus\u00e9e am Burgdorf, L\u00f6rrach, Allemagne<\/p>\n<p><strong>1988<\/strong><br \/>\u00ab Cr\u00e9ations Porcelaines \u00bb, Mus\u00e9e Adrien-Dubouchet, Limoges, France<\/p>\n<p><strong>1987<\/strong><br \/>Concours International de C\u00e9ramique D\u00e9cor\u00e9e, Mus\u00e9e de Carouge, Suisse Porcelaines, Pavillon de l\u2019Orangerie, Limoges, France<\/p>\n<p><strong>1986<\/strong><br \/>1\u00e8re Triennale Internationale de Porcelaine, Nyon, Suisse 44\u00e8me Concours International de C\u00e9ramique, Faenza, Italie<\/p>\n<p><strong>1985<\/strong><br \/>13\u00e8me Biennale de C\u00e9ramique Suisse,Villa Malpensata, Lugano, Suisse<\/p>\n<p><strong>1984<\/strong><br \/>9\u00e8me Biennale Internationale de C\u00e9ramique, Vallauris, France 1\u00e8re Triennale Mondiale de C\u00e9ramique de Petit Format, Zagreb, Croatie Die Kaffeekanne, Mus\u00e9e Wilhem Hack, Ludswighafen\/Rhein, Allemagne<\/p>\n<p>[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Obras nas cole\u00e7\u00f5es&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]Diff\u00e9rentes collections priv\u00e9es en Suisse et \u00e0 l\u2019\u00e9tranger<br \/>\nMus\u00e9e National de C\u00e9ramique de S\u00e8vres, Paris, France<br \/>\nMus\u00e9e Everson, Syracuse\/New-York, USA<br \/>\nCollection d\u2019Art de la Ville de Berne, Suisse Collection Fondation Pro Helvetia, Suisse<br \/>\nMus\u00e9e de la Pr\u00e9fecture de Saga, Japon<br \/>\nMus\u00e9e Keramion, Frechen, Allemagne<br \/>\nFondation Sydney Myer, Australie<br \/>\nTaipei County Yingko Museum, Taipei, Taiwan Ichon Ceramic Museum, Cor\u00e9e du Sud<br \/>\nMus\u00e9e Benaki, Athens, Gr\u00e8ce<br \/>\nMus\u00e9e Ariana, Geneve, Suisse<br \/>\nMUDAC, Lausanne, Suisse<br \/>\nFonds d\u2019Art Visuel, Yverdon-les-Bains, Suisse<br \/>\nMus\u00e9e Ponce, Porto Rico[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Imprensa e publica\u00e7\u00f5es&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p><strong>2025<br \/><\/strong>Retrato do membro, publica\u00e7\u00e3o do boletim informativo de L\u2019AIC, \u00a0mar\u00e7o 2025 <a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/Capture-decran-2025-03-18-a-10.06.41.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/pdf.svg\" width=\"18\" height=\"18\" alt=\"Pdf\" class=\"wp-image-549 alignnone size-medium\" title=\"Exposi\u00e7\u00f5es e publica\u00e7\u00f5es\"><\/a><br \/><a href=\"https:\/\/www.homofaber.com\/en\/discover\/franois-ruegg-idzvxm\" target=\"_blank\" rel=\"noopener\">Homofaber guide\u00a0<\/a>, Michelangelo Fondation<\/p>\n<p><strong>2022<\/strong><br \/>Formas criticas, textos de Myriam Poiatti &amp; Suzanne Rivier, Historiennes de l\u2019Art,<br \/>ISBN 978-2-940587-25-4 \u00a0\u00a92022 <a href=\"https:\/\/esprit-de-la-lettre.swiss\/produit\/m-poiatti-s-rivier-formes-critiques-francois-ruegg\/\" target=\"_blank\" rel=\"noopener\">l\u2019Esprit de la Lettre Editions, Gen\u00e8ve\u00a0<\/a><\/p>\n<p><strong>2017<br \/><\/strong><em><span><\/span>Statuts\/Statues (Estatutos\/Est\u00e1tuas), 2016-2017, texto de Suzanne Rivier,<\/em><br \/><em>Esta monografia \u00e9 composta de duas partes distintas. A primeira parte acompanha a exposi\u00e7\u00e3o Statuts | Statues de Fran\u00e7ois Ruegg, realizada no Mus\u00e9e Ariana, Genebra, Su\u00ed\u00e7a, de 14 de setembro de 2017 a 4 de mar\u00e7o de 2018. As obras apresentadas foram feitas na China, em Jingdezhen, entre mar\u00e7o de 2016 e junho de 2017. A segunda parte \u00e9 uma evoca\u00e7\u00e3o, em cronologia reversa, da carreira do artista entre 1985 e 2015.<br \/><\/em><a href=\"https:\/\/esprit-de-la-lettre.swiss\/\" target=\"_blank\" rel=\"noopener\">l\u2019Esprit de la Lettre, Gen\u00e8ve \u00a9 2017 ISBN 978-2-940587-06-3 <\/a><\/p>\n<p>Porcelana entre o ser e o parecer, jornal Le Temps, par Laurence Chauvy, Gen\u00e8ve <a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/laurence-chauvy-le-temps-Francois-Ruegg.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/pdf.svg\" width=\"18\" height=\"18\" alt=\"Pdf\" class=\"wp-image-549 alignnone size-medium\" title=\"Exposi\u00e7\u00f5es e publica\u00e7\u00f5es\"><\/a><br \/><a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/a-jour_3-17-Entwurf-V01-glisses-2.pdf\" target=\"_blank\" rel=\"noopener\">A jour<\/a>, texto intrevista \u00a0de Miche\u0300le Baeriswyl-Descloux<a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/a-jour_3-17-Entwurf-V01-glisses.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/pdf.svg\" width=\"20\" height=\"20\" alt=\"Pdf\" class=\"wp-image-549 alignnone size-medium\" title=\"Exposi\u00e7\u00f5es e publica\u00e7\u00f5es\"><\/a><br \/>Publica\u0107ao en <a href=\"https:\/\/www.infoceramica.com\/2017\/09\/22\/exposicion-de-francois-ruegg-3\/\" target=\"_blank\" rel=\"noopener\">Infoceramica<\/a>, Madrid<br \/><span>L\u2019ambiguit\u00e9 sur socle, Revue ArtPassions, par Viviane Scaramiglia<\/span><a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/04\/FRANCOIS-RUEGG-LAMBIGUITe-SUR-SOCLE_135570035.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/04\/pdf.svg\" width=\"18\" height=\"18\" alt=\"Pdf\" class=\"wp-image-2487 alignnone size-medium\" title=\"Exposi\u00e7\u00f5es e publica\u00e7\u00f5es\"><\/a><\/p>\n<p><strong>2013<\/strong><br \/><span>Contre nature morte, digital version, <a href=\"https:\/\/esprit-de-la-lettre.swiss\/nos-pdf\/\" target=\"_blank\" rel=\"noopener\">Edition l\u2019Esprit de la Lettre diffusion librairie immateriel<\/a><\/span><\/p>\n<p><strong>2011<\/strong><br \/>Contre nature morte, texte de Myriam Poiatti,<br \/>Convergence Editions, ISBN 978-2-8399-0919-8<\/p>\n<p><span>Contre Nature morte, convergence editions, ISBN 978-2-8399-0919-8<\/span><\/p>\n<p><span><strong>2008<\/strong><br \/><a href=\"https:\/\/www.amazon.com\/Confrontational-Ceramics-Judith-S-Schwartz\/dp\/0812241398\/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1223212443&amp;sr=1-1\" target=\"_blank\" rel=\"noopener\">Confrontional Ceramics book by Judidh Schwartz,<\/a> USA 2008, ISBN 978-0-713655-6<\/span><\/p>\n<p><strong>2006<\/strong><br \/>Fran\u00e7ois Ruegg, the fragility of the absolute, par Ricard Planas Camps Culture Manager et critique d\u2019art, , El Vendrell, Espana<\/p>\n<p><strong>2005<\/strong><br \/>\u00ab Tensions &amp; Mutations \u00bb par Wendy Dubin, Convergence Edition, Gen\u00e8ve, Suisse ISBN 2-8399-0074-2<\/p>\n<p><span>World-famous Ceramic Artist\u2019s Studios, by B. Ming, Hebei Fine Arts Publishing House, China, ISBN 7-5310-2350-4\/J-1965<\/span><\/p>\n<p><span><strong>2004<\/strong><br \/>Porcelain and Bone China, by Sasha Wardell, Crowood Press, LondonISBN 1 816126-693-6 500 Figures in Clay: Ceramic Artists Celebrate the Human Form, Larksbooks Editor, USA, ISBN 1-57990-547-1<\/span><\/p>\n<p><strong>2003<\/strong><br \/>\u201cFran\u00e7ois Ruegg, uma abordagem est\u00e9tica dos sentimentos\u00bb, par Fr\u00e9d\u00e9ric Bodet, Temp\u00e9rature 2003, revue de l\u2019Association C\u00e9ramique Suisse<\/p>\n<p><span>500 Bowls, Contemporay Explorations of a Timeless Design, Larksbooks Editor, USA, ISBN 1-57990-362-2 Contemporay Studio Porcelain, by Peter Lane, A&amp;C Black Editor,London, ISBN 0-7136-6637-4<\/span><\/p>\n<p><strong>2002<\/strong><br \/>\u00ab Fran\u00e7ois Ruegg \u00bb, par Carmen Gonzalez-Barras,<br \/>Revista Internacional Ceramica, n\u00b0 82, Madrid, Espagne<\/p>\n<p><span>500 Teapots, Contemporay Explorations of a Timeless Design, Larksbooks Editor, USA,<br \/>ISBN 1-57990-341-X<\/span><\/p>\n<p><strong>1994<\/strong><br \/>\u00ab Art and shadow, a duality revisited \u00bb, par Suzanne Rivier,<br \/>in Art &amp; Perception <a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/ruegg-art-perception-copie.pdf\" target=\"_blank\" rel=\"noopener\">Magazine, n\u00b016, Australia <img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/pdf.svg\" width=\"18\" height=\"18\" alt=\"Pdf\" class=\"wp-image-549 alignnone size-medium\" title=\"Exposi\u00e7\u00f5es e publica\u00e7\u00f5es\"><\/a><\/p>\n<p><strong>1993<\/strong><br \/>Revue de la C\u00e9ramique et du Verre, n\u00b0 73, France<\/p>\n<p><strong>1992<\/strong><br \/>Portrait d\u2019artiste, \u00e9mission t\u00e9l\u00e9vision, TSR, Suisse<\/p>\n<p><span>Slipcasting, by Sasha Wardell, Ceramics Handbooks, A&amp;C Black Editor, London,<br \/>ISBN 0-7136-4067-7500<\/span><\/p>\n<p><strong>1985<\/strong><br \/>Article par S. Dell\u2019Ava in Revue de la C\u00e9ramique et du Verre, n\u00b0 21, France<\/p>\n<p>Revue des M\u00e9tiers d\u2019Art, n\u00b0 99, France<\/p>\n<\/div>\n<\/div>\n<p>[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Ensino e workshops&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>2021<br \/><\/strong>workshop in Terra W. Studio, Sao Paulo<strong><br \/>2014<\/strong><br \/>workshop in <a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/10511334_10154754345615515_2227484922029296102_n-copie.jpg\" target=\"_blank\" rel=\"noopener\">Atelie d\u2019Arte- Luiza Christ<\/a>, Florianopolis, Br\u00e9sil<br \/>workshop in<a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/Workshop-Francois-Ruegg.jpg\" target=\"_blank\" rel=\"noopener\"> Newton Studio<\/a>, Sao Paolo, Br\u00e9sil<br \/>conference in <a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/francoisruegg_-BA.jpg\" target=\"_blank\" rel=\"noopener\">IUNA<\/a>, Buenos Aires<br \/><a href=\"https:\/\/ceramicaensuenos.blogspot.com\/2014\/05\/11-simposio-internacional-de-ceramica.html\" target=\"_blank\" rel=\"noopener\">11 symposium internacional de ceramica<\/a>, demonstration de moldes, Avellaneda, Buenos Aires<\/p>\n<p><strong>2013<\/strong><br \/>workshop de moldes \u00a0por Revista Ceramica \u00a0W. Vivas, Madrid<br \/>workshop in IVA, VAllauris, France<br \/>Wokshop \u00e0 L\u2019Institut Superieur des Beaux-Arts de Besan\u00e7on, France<\/p>\n<p><strong>1998 \u2013 2013<\/strong><br \/>Enseigne \u00e0 l\u2019Ecole des Arts D\u00e9coratifs, Gen\u00e8ve, Suisse, d\u00e9partement c\u00e9ramique<\/p>\n<p><strong>1994 \u2013 1998<\/strong><br \/>Enseigne \u00e0 l\u2019Instituto Universitario Superior de Artes Plasticas A . Reveron, Caracas, Venezuela<\/p>\n<p>[\/pac_dtm_child][\/pac_dtm_parent][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exposi\u00e7\u00f5es e publica\u00e7\u00f5es<div class=\"et_pb_with_border et_pb_module pac_dtm_parent pac_dtm_parent_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module_inner\">\n\t\t\t\t\t<div class=\"pac_dtm-wrapper pac_dtm-controls-bottom pac_dtm-controls-tablet-bottom pac_dtm-controls-phone-bottom\">\n                <div class=\"pac_dtm-controls pac_dtm-controls-off pac_dtm-controls-tablet-off pac_dtm-controls-phone-off\">\n                    <span class=\"pac_dtm-controls-single pac_dtm-prev\">Prev<\/span>\n                    <ul class=\"navs pac_dtm-navs\" role=\"tablist\">\n                        \n                    <\/ul>\n                    <span class=\"pac_dtm-controls-single pac_dtm-next\">Next<\/span>\n                <\/div>\n                <div class=\"pac_dtm_container pac_dtm-left pac_dtm-tablet-top pac_dtm-phone-top pac_dtm-navstyle-hiddennav\"\n                data-pac_dtm_mobile_menu_icon=\"off\"\n                data-pac_dtm_mobile_menu_icon_state=\"expanded\"\n                data-pac_dtm_tab_change_method=\"click\"\n                data-pac_dtm_tab_change_method_tablet=\"click\"\n                data-pac_dtm_tab_change_method_phone=\"click\"\n                data-pac_dtm_animation=\"on\"\n                data-pac_dtm_rotation=\"off\"\n                data-pac_dtm_rotation_tablet=\"off\"\n                data-pac_dtm_rotation_phone=\"off\"\n                data-pac_dtm_active_tab=\"1\"\n                data-pac_dtm_tabs_deeplinking=\"off\"\n                data-pac_dtm_animation_duration=\"200\"\n                data-pac_dtm_animation_effect=\"fade\"\n                data-pac_dtm_rotation_delay=\"3000\"\n                data-pac_dtm_rotation_onclick=\"off\">\n                    \n                    <ul class=\"pac_dtm_tabnav pac_dtm_tabnav-hidden-off pac_dtm_tabnav-hidden-tablet-off pac_dtm_tabnav-hidden-phone-off pac_dtm-fullwidth-off pac_dtm-fullwidth-tablet-off pac_dtm-fullwidth-phone-off\" role=\"tablist\">\n                        \n                    <\/ul>\n                    <div class=\"pac_dtm_child_container fade\">\n                        \n                    <\/div>\n                <\/div>\n            <\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div><div class=\"et_pb_module pac_dtm_child pac_dtm_child_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module_inner\">\n\t\t\t\t\t<div class=\"pac_dtm-child\" id=\"pac_dtm_child_0\" data-index=\"-1\">\n\t\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>2012 1er Prix \u00e0 la Biennale Internationale de [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"[et_pb_section fb_built=\"1\" custom_padding_last_edited=\"on|desktop\" _builder_version=\"4.27.4\" _module_preset=\"default\" custom_margin=\"0px||0px||false|false\" custom_padding=\"100px|30px|115px|30px|false|true\" custom_padding_tablet=\"70px|15px|85px|15px|false|true\" custom_padding_phone=\"40px||55px||false|true\" global_colors_info=\"{}\"][et_pb_row _builder_version=\"4.27.4\" _module_preset=\"default\" custom_margin=\"0px||0px||false|false\" custom_padding=\"0px||0px||false|false\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.27.4\" _module_preset=\"default\" header_text_align=\"center\" header_text_color=\"rgba(21,21,21,0.6)\" header_font_size=\"37px\" custom_margin=\"0px||40px||false|false\" custom_margin_tablet=\"||25px||false|false\" custom_margin_phone=\"||20px||false|false\" custom_margin_last_edited=\"on|desktop\" custom_padding=\"0px||0px||false|false\" hover_enabled=\"0\" header_font_size_tablet=\"32px\" header_font_size_phone=\"27px\" header_font_size_last_edited=\"on|phone\" global_colors_info=\"{}\" sticky_enabled=\"0\"]\n<h1>Expositions &amp; publications<\/h1>\n[\/et_pb_text][pac_dtm_parent pac_dtm_position=\"left\" pac_dtm_full_width_gap=\"0px\" pac_dtm_animation=\"on\" pac_dtm_animation_duration=\"200\" pac_dtm_show_subtitle_inactive=\"off\" pac_dtm_show_icon_img_inactive=\"off\" pac_dtm_inactive_tab_background_color=\"#FFFFFF\" pac_dtm_tab_padding=\"10px|15px|10px|15px|false|true\" pac_dtm_tab_content_padding=\"0px|0px|0px|0px|false|false\" pac_dtm_content_scroll_width=\"0px\" pac_dtm_tab_padding_tablet=\"|0px||0px|false|true\" pac_dtm_tab_padding_last_edited=\"off|desktop\" _builder_version=\"4.27.4\" _module_preset=\"default\" pac_dtm_tab_content_fonts_font_size=\"17px\" pac_dtm_tab_content_fonts_line_height=\"1.2em\" pac_dtm_tab_title_fonts_text_color=\"#151515\" pac_dtm_tab_title_fonts_font_size=\"17px\" pac_dtm_tab_title_fonts_line_height=\"1.2em\" pac_dtm_tab_subtitle_fonts_text_color=\"#151515\" pac_dtm_active_tab_title_fonts_font=\"||||on||||\" pac_dtm_active_tab_title_fonts_font_size=\"17px\" pac_dtm_active_tab_title_fonts_line_height=\"1.2em\" custom_margin=\"0px||0px||false|false\" custom_padding=\"0px||0px||false|false\" pac_dtm_tab_content_fonts_font_size_tablet=\"16px\" pac_dtm_tab_content_fonts_font_size_phone=\"16px\" pac_dtm_tab_content_fonts_font_size_last_edited=\"on|desktop\" pac_dtm_tab_title_fonts_font_size_tablet=\"16px\" pac_dtm_tab_title_fonts_font_size_phone=\"16px\" pac_dtm_tab_title_fonts_font_size_last_edited=\"on|desktop\" pac_dtm_active_tab_title_fonts_font_size_tablet=\"16px\" pac_dtm_active_tab_title_fonts_font_size_phone=\"16px\" pac_dtm_active_tab_title_fonts_font_size_last_edited=\"on|desktop\" border_width_bottom_pac_dtm_tab_border=\"1px\" border_color_bottom_pac_dtm_tab_border=\"rgba(21,21,21,0.1)\" global_colors_info=\"{}\"][pac_dtm_child pac_dtm_tab_label=\"Prix et distinctions\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\n<strong>2012\n<\/strong>1er Prix \u00e0 la Biennale Internationale de C\u00e9ramique Contemporaine, Andenne, Belgique\n\n<strong>2006<\/strong>\n2\u00e8me Prix au Concours de International Small Teapot, Saddleback Gallery, Mission Viejo, Californie, USA\n\n<strong>2005<\/strong>\n1er Prix \u00e0 la Biennale Internationale de C\u00e9ramique Contemporaine, El Vendrell, Espagne\n\n<strong>2004<\/strong>\nDistinction du Jury au 5\u00e8me Mashiko International Ceramics Contest, Japon\n\n<strong>2003<\/strong>\n1er Prix \u00e0 la Biennale Internationale de Carreaux C\u00e9ramique, Buenos Aires\nMention Honorable \u00e0 la 2\u00e8me Biennale World International, Cor\u00e9e du Sud\nMention a la 6\u00e8me Biennale Internationale de C\u00e9ramique, Manises, Espagne\n\n<strong>2001<\/strong>\nM\u00e9daille de Bronze, Prix \u00e0 la 1\u00e8re World International Ceramics Biennal, Mus\u00e9e Ichon Ceramic, Seoul, Korea\n\n<strong>2000<\/strong>\nPrix du Jury \u00e0 la 6\u00e8me Golden International Competition, Taipei, Taiwan\n\n<strong>1999<\/strong>\nMention a la 4\u00e8me Biennale ACS \u00ab Le Plat \u00bb, Soleure, Suisse\nPrix \u00e0 la 2\u00e8me Triennale de C\u00e9ramique Elit-Tile, Santo Domingo\n\n<strong>1998<\/strong>\nPrix \u00ab Acquisition \u00bb a la Sydney Myer International Ceramics Award, Shepparton, Australie\n\n<strong>1997<\/strong>\nPrix Zadar \u00e0 la 5\u00e8me Triennale Internationale de C\u00e9ramique de petit Format, Zagreb, Croatie\n\n<strong>1996<\/strong>\nMention \u00e0 la 1\u00e8re Triennale Internationale de C\u00e9ramique, Belgrade, Serbie\n\n<strong>1989<\/strong>\n1er Prix \u00e0 la 15 \u00e8me Biennale de C\u00e9ramique Suisse, Yverdon-les-Bains, Suisse\n\n<strong>1984<\/strong>\nMention a la 9\u00e8me Biennale Internationale de C\u00e9ramique, Vallauris, France\n\n<strong>1981<\/strong>\nPrix Bourse Lissignol de la Ville de Gen\u00e8ve, Suisse\n\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Expositions personnelles\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\n<strong>2017-2018<\/strong>\nMus\u00e9e Ariana, Gen\u00e8ve\n\n<strong>2017<\/strong>\nView Space Gallery, Jingdezehen, China\n\n<strong>2014<\/strong>\nGalerie Verve, Sao Paolo, Br\u00e9sil\nGalerie \u00e0 Rebours, Favardin &amp; Mistre, Paris\nGalerie Puls, Bruxelles, Belgique\n\n<strong>2011<\/strong>\nGalerie Lionel Latham, Gen\u00e8ve, Suisse\n\n<strong>2005<\/strong>\nGalerie Lionel Latham, Gen\u00e8ve, Suisse\n\n<strong>2003<\/strong>\nGalerie Das Ding ,Lucerne, Suisse\n\n<strong>1998<\/strong>\nGalerie 5, Carouge, Suisse\n\n<strong>1995<\/strong>\nGalerie Arte &amp; Fuego, Caracas, Venezuela\n\n<strong>1993<\/strong>\nGalerie Marianne Brand, Carouge, Suisse\nGalerie Lanka Ceramics, Colombo, Sri Lanka\n\n<strong>1987<\/strong>\nGalerie Lionel Latham, Gen\u00e8ve, Suisse\n\n<strong>1986<\/strong>\nGalerie Utopia, Lausanne, Suisse\n\n<strong>1985<\/strong>\nGalerie CGA, Gen\u00e8ve, Suisse\n\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Expositions et Concours\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\n<strong>2022<\/strong>\nHomo Faber. Crafting a more human future \u2013 Porcelain virtuosity,\nFondazione Giorgio Cini, Venise,Italie\nMelting Pot, Swissceramics, Ch\u00e2teau de Nyon,CH\nComment changer du plomb en or, Centre d\u2019Art Contemporain Yverdon, CH\n\n<strong>2018<\/strong>\nObjects in mirror are closer than they appear, Kunstforum Gallery, Solothurn, Suisse\n\n<strong>2017<\/strong>\nThe Second International Ceramics Exhibition Qingdao Sculpture Art Museum, Qingdao, Chine\n\n<strong>2016<\/strong>\nEast and West Invitational Ceramic Exhibition, Heritage and Diversity, Hanyang University Museum, Seoul, cor\u00e9e du Sud\n\n<strong>2013<\/strong>\nGalerie KisstheDesign, Lausanne, Suisse\n\n<strong>2012<\/strong>\n12\u00e8me Concours International de C\u00e9ramique Contemporaine, CERCO, Espagne\nExposition de l\u2019AIC, au New Mexico Museum of Art, Santa Fe, USA\nBlack is not Black, Galerie Picci, Lausanne, Suisse\n\n<strong>2011<\/strong>\nHelv\u00e8tes Vulcains, Mus\u00e9e du Design &amp; Art Contemporain, MUDAC, Lausanne, Suisse\n\n<strong>2010<\/strong>\nExposition de l\u2019AIC Mus\u00e9e National de S\u00e8vres, Paris,\n\n<strong>2009<\/strong>\n50 ans de l\u2019ACS : C\u00e9ramique de Grand Format, Halles de la Fonderie, Gen\u00e8ve, Suisse\nGalerie de l\u2019H\u00f4tel de Ville, Yverdon-les-Bains, Suisse Down to Earth, Culturcentrum Gallery, Strombeck, Belgique\nGold Porcelain, Mus\u00e9e Bellerive, Zurich, Suisse\n\n<strong>2008<\/strong>\nBiennale de Vallauris, France, la Suisse invit\u00e9e\n\n<strong>2007<\/strong>\n1\u00e8re Jungzhen International Ceramic Exhibition, Mus\u00e9e Wison,Shanghai, Chine\n\n<strong>2006<\/strong>\nTriennale de C\u00e9ramique de Petit Format, Elit-Tile, Santo Domingo\n2\u00e8me International Small Teapot Exhibition, Galerie Saddleback College, Viejo, Californie\nGalerie EAO, Lausanne\n\n<strong>2005<\/strong>\nTriennale de C\u00e9ramique de Petit Format, Elit-Tile, Santo Domingo\n2\u00e8me International Small Teapot Exhibition, Galerie Saddleback College, Viejo, Californie\nGalerie EAO, Lausanne\n\n<strong>2004<\/strong>\n1\u00e8re Biennale Internationale de C\u00e9ramique Contemporaine, Taipei, Taiwan\nGalerie HWK, Munich, Allemagne\nConcours Sydney Myer Fund International Ceramics, Australie\n7\u00e8me Biennale Internationale de C\u00e9ramique, Le Caire, Egypte\nGalerie St. Joseph, Leeu\n\n<strong>2003<\/strong>\nKunsthuis Ingrith Desmet, Heule, Belgique\n2\u00e8me Biennale Mondiale de C\u00e9ramique Contemporaine, Ichon, Cor\u00e9e du Sud 1\u00e8re Biennale Internationale de Carreaux C\u00e9ramique, Buenos Aires, Argentine 6\u00e8me Biennale Internationale de C\u00e9ramique, Manises, Vale\n\n<strong>2002<\/strong>\nExposition AIC, Ath\u00e8nes, Gr\u00e8ce 3\u00e8me Triennale Elit-Tile, Santo Domingo\n\n<strong>2000<\/strong>\nConcours Orton Box Show, Kansas City, USA Sydney Myer Fund International Ceramic Competition, Australie 6\u00e8me Concours International de C\u00e9ramique, Mus\u00e9e Taipei County Yingko Ceramics, Taiwan Exposition AIC, Mus\u00e9e Keramion, Frechen, Allemagne\n\n<strong>1998<\/strong>\nConcours International de C\u00e9ramique, Galerie Sydney Myer Fund , Shepparton, Australie Intercambio 3, Mus\u00e9e Jacobo Borges, Caracas, Venezuela\n\n<strong>1996<\/strong>\nExposition Internationale de C\u00e9ramique Contemporaine, Mus\u00e9e Total of Contemporary Arts, Seoul, Cor\u00e9e du Sud Exposition AIC, Mus\u00e9e Saga Prefecture, Saga, Japon C\u00e9ramique Europ\u00e9enne 96, Mus\u00e9e Keramion, Frechen, Allemagne\n\n<strong>1995<\/strong>\nConcours International de C\u00e9ramique\u00ab Calligraphie \u00bb, Mus\u00e9e de Carouge , Suisse Exposition Internationale de Miniprints, Barcelone, Espagne\n\n<strong>1993<\/strong>\n7\u00e8me Biennale de C\u00e9ramique Contemporaine, Ch\u00e2teauroux, France 1er Concours International de C\u00e9ramique, Sarreguemines, France\n\n<strong>1992<\/strong>\n3\u00e8me Triennale Internationale de Porcelaine, Nyon, Suisse Configura I, Plastic Arts Show, Erfurt, Allemagne Exposition de Design C\u00e9ramique, Valencia, Espagne 1\u00e8re Triennale Internationale de C\u00e9ramique, Le Caire, Egypte\n\n<strong>1991<\/strong>\n16\u00e8me Biennale de C\u00e9ramique Suisse, Winterthur, Suisse\n\n<strong>1990<\/strong>\nGalerie B\u00f6wig, Hanovre, Allemagne Galerie Gloria, Nicosie, Chypre C\u00e9ramistes Contemporains, Ch\u00e2teau d\u2019Aubonne, Suisse\n\n<strong>1989<\/strong>\nC\u00e9ramique Europ\u00e9enne, Auxerre, France Galerie I.N.O.V. , Paris, France \u00ab Autour de la table \u00bb, Mus\u00e9e des Arts D\u00e9coratifs, Lausanne, Suisse Exposition Max Laeuger-Preis, Mus\u00e9e am Burgdorf, L\u00f6rrach, Allemagne\n\n<strong>1988<\/strong>\n\u00ab Cr\u00e9ations Porcelaines \u00bb, Mus\u00e9e Adrien-Dubouchet, Limoges, France\n\n<strong>1987<\/strong>\nConcours International de C\u00e9ramique D\u00e9cor\u00e9e, Mus\u00e9e de Carouge, Suisse Porcelaines, Pavillon de l\u2019Orangerie, Limoges, France\n\n<strong>1986<\/strong>\n1\u00e8re Triennale Internationale de Porcelaine, Nyon, Suisse 44\u00e8me Concours International de C\u00e9ramique, Faenza, Italie\n\n<strong>1985<\/strong>\n13\u00e8me Biennale de C\u00e9ramique Suisse,Villa Malpensata, Lugano, Suisse\n\n<strong>1984<\/strong>\n9\u00e8me Biennale Internationale de C\u00e9ramique, Vallauris, France 1\u00e8re Triennale Mondiale de C\u00e9ramique de Petit Format, Zagreb, Croatie Die Kaffeekanne, Mus\u00e9e Wilhem Hack, Ludswighafen\/Rhein, Allemagne\n\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Oeuvres dans les collections\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\nDiff\u00e9rentes collections priv\u00e9es en Suisse et \u00e0 l\u2019\u00e9tranger\nMus\u00e9e National de C\u00e9ramique de S\u00e8vres, Paris, France\nMus\u00e9e Everson, Syracuse\/New-York, USA\nCollection d\u2019Art de la Ville de Berne, Suisse Collection Fondation Pro Helvetia, Suisse\nMus\u00e9e de la Pr\u00e9fecture de Saga, Japon\nMus\u00e9e Keramion, Frechen, Allemagne\nFondation Sydney Myer, Australie\nTaipei County Yingko Museum, Taipei, Taiwan Ichon Ceramic Museum, Cor\u00e9e du Sud\nMus\u00e9e Benaki, Athens, Gr\u00e8ce\nMus\u00e9e Ariana, Geneve, Suisse\nMUDAC, Lausanne, Suisse\nFonds d\u2019Art Visuel, Yverdon-les-Bains, Suisse\nMus\u00e9e Ponce, Porto Rico\n\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Presse & publications\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n\n<strong>2022<\/strong>\nFormes critiques, textes de Myriam Poiatti &amp; Suzanne Rivier, Historiennes de l\u2019Art, ISBN 978-2-940587-25-4 ,\u00a92022 <a href=\"https:\/\/esprit-de-la-lettre.swiss\/les-collections\/perspectives\/\" target=\"_blank\" rel=\"noopener\">l\u2019Esprit de la Lettre Editions, Gen\u00e8ve <img src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/lien.svg\" width=\"18\" height=\"18\" alt=\"\" class=\"wp-image-551 alignnone size-medium\" \/><\/a>\n\n<strong>2017<\/strong>\nStatuts\/Statues, 2016-2017, texte par Suzanne Rivier,\n\n<a href=\"https:\/\/esprit-de-la-lettre.swiss\/\" target=\"_blank\" rel=\"noopener\">l\u2019Esprit de la Lettre, Gen\u00e8ve \u00a9 2017 ISBN 978-2-940587-06-3 <img src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/lien.svg\" width=\"18\" height=\"18\" alt=\"\" class=\"wp-image-551 alignnone size-medium\" \/><\/a>\n\n<strong>2013<\/strong>\n<span>Contre nature morte, digital version, edition l\u2019esprit de la lettre diffusion librairie immateriel<\/span>\n\n<strong>2011<\/strong>\nContre nature morte, texte de Myriam Poiatti,\nConvergence Editions, ISBN 978-2-8399-0919-8\n\n<span>Contre Nature morte, convergence editions, ISBN 978-2-8399-0919-8<\/span>\n\n<span><strong>2008<\/strong>\nConfrontional Ceramics book by Judidh Schartz, USA 2008, ISBN 978-0-713655-6<\/span>\n\n<strong>2006<\/strong>\nFran\u00e7ois Ruegg, the fragility of the absolute, par Ricard Planas Camps Culture Manager et critique d\u2019art, , El Vendrell, Espagne\n\n<strong>2005<\/strong>\n\u00ab Tensions &amp; Mutations \u00bb par Wendy Dubin, Convergence Edition, Gen\u00e8ve, Suisse ISBN 2-8399-0074-2\n\n<span>World-famous Ceramic Artist\u2019s Studios, by B. Ming, Hebei Fine Arts Publishing House, China, ISBN 7-5310-2350-4\/J-1965<\/span>\n\n<span><strong>2004<\/strong>\nPorcelain and Bone China, by Sasha Wardell, Crowood Press, LondonISBN 1 816126-693-6 500 Figures in Clay: Ceramic Artists Celebrate the Human Form, Larksbooks Editor, USA, ISBN 1-57990-547-1<\/span>\n\n<strong>2003<\/strong>\n\u00ab Fran\u00e7ois Ruegg, une approche esth\u00e9tique des sentiments \u00bb, par Fr\u00e9d\u00e9ric Bodet, Temp\u00e9rature 2003, revue de l\u2019Association C\u00e9ramique Suisse\n\n<span>500 Bowls, Contemporay Explorations of a Timeless Design, Larksbooks Editor, USA, ISBN 1-57990-362-2 Contemporay Studio Porcelain, by Peter Lane, A&amp;C Black Editor,London, ISBN 0-7136-6637-4<\/span>\n\n<strong>2002<\/strong>\n\u00ab Fran\u00e7ois Ruegg \u00bb, par Carmen Gonzalez-Barras,\nRevista Internacional Ceramica, n\u00b0 82, Madrid, Espagne\n\n<span>500 Teapots, Contemporay Explorations of a Timeless Design, Larksbooks Editor, USA, ISBN 1-57990-341-X<\/span>\n\n<strong>1994<\/strong>\n\u00ab Art and shadow, a duality revisited \u00bb, par Suzanne Rivier, in Art &amp; Perception <a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/ruegg-art-perception-copie.pdf\" target=\"_blank\" rel=\"noopener\">Magazine, n\u00b016, Australia <img src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/pdf.svg\" width=\"18\" height=\"18\" alt=\"\" class=\"wp-image-549 alignnone size-medium\" \/><\/a>\n\n<strong>1993<\/strong>\nRevue de la C\u00e9ramique et du Verre, n\u00b0 73, France\n\n<strong>1992<\/strong>\nPortrait d\u2019artiste, \u00e9mission t\u00e9l\u00e9vision, TSR, Suisse\n\n<span>Slipcasting, by Sasha Wardell, Ceramics Handbooks, A&amp;C Black Editor, London, ISBN 0-7136-4067-7500<\/span>\n\n<strong>1985<\/strong>\nArticle par S. Dell\u2019Ava in Revue de la C\u00e9ramique et du Verre, n\u00b0 21, France\n\nRevue des M\u00e9tiers d\u2019Art, n\u00b0 99, France\n\n<\/div>\n<\/div>\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Enseignements et workshops\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\n<strong>2014<\/strong>\nworkshop in Newton Studio, Sao Paolo, Br\u00e9sil\n\n<strong>2013<\/strong>\nworkshop in IVA, VAllauris, France workshop in Atelie d\u2019Arte- Luiza Christ, Florianopolis, Br\u00e9sil Masterclass \u00e0 l\u2019 Institut d\u2019 Art de Vallauris, France Wokshop \u00e0 L\u2019Institut Superieur des Beaux-Arts de Besan\u00e7on, France\n\n<strong>1998 \u2013 2013<\/strong>\nEnseigne \u00e0 l\u2019Ecole des Arts D\u00e9coratifs, Gen\u00e8ve, Suisse, d\u00e9partement c\u00e9ramique\n\n<strong>1994 \u2013 1998<\/strong>\nEnseigne \u00e0 l\u2019Instituto Universitario Superior de Artes Plasticas A . Reveron, Caracas, Venezuela\n\n[\/pac_dtm_child][\/pac_dtm_parent][\/et_pb_column][\/et_pb_row][\/et_pb_section]","_et_gb_content_width":"","footnotes":""},"class_list":["post-1329","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/francoisruegg.com\/pt-br\/wp-json\/wp\/v2\/pages\/1329","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francoisruegg.com\/pt-br\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/francoisruegg.com\/pt-br\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/francoisruegg.com\/pt-br\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/francoisruegg.com\/pt-br\/wp-json\/wp\/v2\/comments?post=1329"}],"version-history":[{"count":20,"href":"https:\/\/francoisruegg.com\/pt-br\/wp-json\/wp\/v2\/pages\/1329\/revisions"}],"predecessor-version":[{"id":2637,"href":"https:\/\/francoisruegg.com\/pt-br\/wp-json\/wp\/v2\/pages\/1329\/revisions\/2637"}],"wp:attachment":[{"href":"https:\/\/francoisruegg.com\/pt-br\/wp-json\/wp\/v2\/media?parent=1329"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}