{"id":569,"date":"2025-02-10T10:57:49","date_gmt":"2025-02-10T09:57:49","guid":{"rendered":"https:\/\/francoisruegg.com\/?page_id=569"},"modified":"2025-06-01T01:07:54","modified_gmt":"2025-05-31T23:07:54","slug":"expositions-publications","status":"publish","type":"page","link":"https:\/\/francoisruegg.com\/en\/exhibitions-publications\/","title":{"rendered":"Exhibitions &amp; publications"},"content":{"rendered":"<p>[et_pb_section fb_built=&#8221;1&#8243; custom_padding_last_edited=&#8221;on|desktop&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;100px|30px|115px|30px|false|true&#8221; custom_padding_tablet=&#8221;70px|15px|85px|15px|false|true&#8221; custom_padding_phone=&#8221;40px||55px||false|true&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_row _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_column type=&#8221;4_4&#8243; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;][et_pb_text _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; header_text_align=&#8221;center&#8221; header_text_color=&#8221;rgba(21,21,21,0.6)&#8221; header_font_size=&#8221;37px&#8221; custom_margin=&#8221;0px||40px||false|false&#8221; custom_margin_tablet=&#8221;||25px||false|false&#8221; custom_margin_phone=&#8221;||20px||false|false&#8221; custom_margin_last_edited=&#8221;on|phone&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; header_font_size_tablet=&#8221;32px&#8221; header_font_size_phone=&#8221;27px&#8221; header_font_size_last_edited=&#8221;on|phone&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<h1>Exhibitions &amp; publications<\/h1>\n<p>[\/et_pb_text][pac_dtm_parent pac_dtm_position=&#8221;left&#8221; pac_dtm_full_width_gap=&#8221;0px&#8221; pac_dtm_animation=&#8221;on&#8221; pac_dtm_animation_duration=&#8221;200&#8243; pac_dtm_show_subtitle_inactive=&#8221;off&#8221; pac_dtm_show_icon_img_inactive=&#8221;off&#8221; pac_dtm_inactive_tab_background_color=&#8221;#FFFFFF&#8221; pac_dtm_tab_padding=&#8221;10px|15px|10px|15px|false|true&#8221; pac_dtm_tab_content_padding=&#8221;0px|0px|0px|0px|false|false&#8221; pac_dtm_content_scroll_width=&#8221;0px&#8221; pac_dtm_tab_padding_tablet=&#8221;|0px||0px|false|true&#8221; pac_dtm_tab_padding_last_edited=&#8221;off|desktop&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; pac_dtm_tab_content_fonts_font_size=&#8221;17px&#8221; pac_dtm_tab_content_fonts_line_height=&#8221;1.2em&#8221; pac_dtm_tab_title_fonts_text_color=&#8221;#151515&#8243; pac_dtm_tab_title_fonts_font_size=&#8221;17px&#8221; pac_dtm_tab_title_fonts_line_height=&#8221;1.2em&#8221; pac_dtm_tab_subtitle_fonts_text_color=&#8221;#151515&#8243; pac_dtm_active_tab_title_fonts_font=&#8221;||||on||||&#8221; pac_dtm_active_tab_title_fonts_font_size=&#8221;17px&#8221; pac_dtm_active_tab_title_fonts_line_height=&#8221;1.2em&#8221; custom_margin=&#8221;0px||0px||false|false&#8221; custom_padding=&#8221;0px||0px||false|false&#8221; hover_enabled=&#8221;0&#8243; pac_dtm_tab_content_fonts_font_size_tablet=&#8221;16px&#8221; pac_dtm_tab_content_fonts_font_size_phone=&#8221;16px&#8221; pac_dtm_tab_content_fonts_font_size_last_edited=&#8221;on|desktop&#8221; pac_dtm_tab_title_fonts_font_size_tablet=&#8221;16px&#8221; pac_dtm_tab_title_fonts_font_size_phone=&#8221;16px&#8221; pac_dtm_tab_title_fonts_font_size_last_edited=&#8221;on|desktop&#8221; pac_dtm_active_tab_title_fonts_font_size_tablet=&#8221;16px&#8221; pac_dtm_active_tab_title_fonts_font_size_phone=&#8221;16px&#8221; pac_dtm_active_tab_title_fonts_font_size_last_edited=&#8221;on|desktop&#8221; border_width_bottom_pac_dtm_tab_border=&#8221;1px&#8221; border_color_bottom_pac_dtm_tab_border=&#8221;rgba(21,21,21,0.1)&#8221; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;][pac_dtm_child pac_dtm_tab_label=&#8221;Awards and distinctions&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>2012<\/strong><br \/>1st Prize at the Biennale Internationale de C\u00e9ramique Contemporaine, Andenne, Belgium<\/p>\n<p><strong>2006<\/strong><br \/>2nd Prize, International Small Teapot Competition, Saddleback Gallery, Mission Viejo, California, USA<\/p>\n<p><strong>2005<\/strong><br \/>1st Prize, International Biennial of Contemporary Ceramics, El Vendrell, Spain<\/p>\n<p><strong>2004<\/strong><br \/>Jury Award at the 5th Mashiko International Ceramics Contest, Japan<\/p>\n<p><strong>2003<\/strong><br \/>1st Prize at the International Biennial of Ceramic Tiles, Buenos Aires<br \/>Honorable Mention at the 2nd World International Biennale, South Korea<br \/>Mention at the 6th International Ceramics Biennial, Manises, Spain<\/p>\n<p><strong>2001<\/strong><br \/>Bronze Medal, Prize at the 1st World International Ceramics Biennal, Ichon Ceramic Museum, Seoul, Korea<\/p>\n<p><strong>2000<\/strong><br \/>Jury Prize at the 6th Golden International Competition, Taipei, Taiwan<\/p>\n<p><strong>1999<\/strong><br \/>Mention at the 4th ACS Biennial \u201cLe Plat\u201d, Solothurn, Switzerland<br \/>Prize at the 2nd Triennale de C\u00e9ramique Elit-Tile, Santo Domingo<\/p>\n<p><strong>1998<\/strong><br \/>Acquisition\u201d prize at the Sydney Myer International Ceramics Award, Shepparton, Australia<\/p>\n<p><strong>1997<\/strong><br \/>Zadar Prize at the 5th Triennale Internationale de C\u00e9ramique de petit Format, Zagreb, Croatia<\/p>\n<p><strong>1996<\/strong><br \/>Mention at the 1st International Triennial of Ceramics, Belgrade, Serbia<\/p>\n<p><strong>1989<\/strong><br \/>1st Prize at the 15th Biennale de C\u00e9ramique Suisse, Yverdon-les-Bains, Switzerland<\/p>\n<p><strong>1984<\/strong><br \/>Mention at the 9th Biennale Internationale de C\u00e9ramique, Vallauris, France<\/p>\n<p><strong>1981<\/strong><br \/>Prix Bourse Lissignol from the City of Geneva, Switzerland<\/p>\n<p>[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Personal exhibitions&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>2023<br \/><\/strong><a href=\"https:\/\/chgallery.ch\/designers\/francois-ruegg\" target=\"_blank\" rel=\"noopener\">CH-Gallery<\/a><strong><span>, <\/span><\/strong>Treytorrens, Suisse <strong><a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/IMG_7420.jpeg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/lien.svg\" width=\"18\" height=\"18\" alt=\"Lien\" class=\"wp-image-551 alignnone size-medium\" title=\"Exhibitions &amp; publications\"><\/a><br \/><\/strong><\/p>\n<p><strong>2017-2018<\/strong><br \/>Ariana Museum, Geneva<\/p>\n<p><strong>2017<\/strong><br \/>View Space Gallery, Jingdezehen, China<\/p>\n<p><strong>2014<\/strong><br \/>Verve Gallery, Sao Paolo, Brazil<br \/>Galerie \u00e0 Rebours, Favardin &amp; Mistre, Paris<br \/>Galerie Puls, with Caroline Andrin, Brussels, Belgium <a href=\"https:\/\/www.ceramicsnow.org\/archive\/caroline-andrin-francois-ruegg-puls-ceramics-brussels\/\" target=\"_blank\" rel=\"noopener\" title=\"Plus gallery\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/lien.svg\" width=\"18\" height=\"18\" alt=\"Lien\" class=\"wp-image-552 alignnone size-full\" title=\"Exhibitions &amp; publications\"><\/a><\/p>\n<p><strong>2011<\/strong><br \/>Galerie Lionel Latham, Geneva, Switzerland<\/p>\n<p><strong>2005<\/strong><br \/>Lionel Latham Gallery, Geneva, Switzerland<\/p>\n<p><strong>2003<\/strong><br \/>Galerie Das Ding ,Lucerne, Switzerland<\/p>\n<p><strong>1998<\/strong><br \/>Galerie 5, Carouge, Switzerland<\/p>\n<p><strong>1995<\/strong><br \/>Arte &amp; Fuego Gallery, Caracas, Venezuela<\/p>\n<p><strong>1993<\/strong><br \/>Marianne Brand Gallery, Carouge, Switzerland<br \/>Lanka Ceramics Gallery, Colombo, Sri Lanka<\/p>\n<p><strong>1987<\/strong><br \/>Lionel Latham Gallery, Geneva, Switzerland<\/p>\n<p><strong>1986<\/strong><br \/>Utopia Gallery, Lausanne, Switzerland<\/p>\n<p><strong>1985<\/strong><br \/>Galerie CGA, Geneva, Switzerland<\/p>\n<p>[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Exhibitions and Competitions&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>2024<br \/><\/strong>\u00abLibert\u00e9 conditionnelle\u00bb, <a href=\"https:\/\/www.musee-ariana.ch\/expositions\/liberte-conditionnelle\" target=\"_blank\" rel=\"noopener\">Mus\u00e9e Ariana, Gen\u00e8ve<\/a><br \/>\u00ab\u00a0Merveilles\u00a0\u00bb, exposition pour les 200 ans du<a href=\"https:\/\/www.sevresciteceramique.fr\/programme\/actualites\/merveilles-exposition.html\" target=\"_blank\" rel=\"noopener\"> Mus\u00e9e de c\u00e9ramique de S\u00e8vres, Paris, France<\/a><\/p>\n<p><strong>2023<br \/><\/strong><span>\u00a0\u00abDialogue entre une pieuvre et un presse-agrumes\u00bb, <a href=\"https:\/\/mudac.ch\/expositions\/dialogue-entre-une-pieuvre-et-un-presse-agrumes\/\" target=\"_blank\" rel=\"noopener\">Mudac<\/a>, mus\u00e9e cantonal de design et d\u2019arts appliqu\u00e9s, Plateforme 10, Lausanne<\/span><\/p>\n<p><strong>2022<\/strong><br \/>Homo Faber. Crafting a more human future &#8211; Porcelain virtuosity,<br \/>Fondazione Giorgio Cini, Venice,Italy<br \/>Melting Pot, Swissceramics, Ch\u00e2teau de Nyon,CH<br \/>How to turn lead into gold, Centre d&#8217;Art Contemporain Yverdon, CH<\/p>\n<p><strong>2018<\/strong><br \/>Objects in mirror are closer than they appear, Kunstforum Gallery, Solothurn, Switzerland<\/p>\n<p><strong>2017<\/strong><br \/>The Second International Ceramics Exhibition Qingdao Sculpture Art Museum, Qingdao, China<\/p>\n<p><strong>2016<\/strong><br \/>East and West Invitational Ceramic Exhibition, Heritage and Diversity, Hanyang University Museum, Seoul, South Korea<\/p>\n<p><strong>2013<\/strong><br \/>Galerie KisstheDesign, Lausanne, Switzerland<\/p>\n<p><strong>2012<\/strong><br \/>12th International Competition of Contemporary Ceramics, CERCO, Spain AIC Exhibition, New Mexico Museum of Art, Santa Fe, USA Black is not Black, Galerie Picci, Lausanne, Switzerland<\/p>\n<p><strong>2011<\/strong><br \/>Helv\u00e8tes Vulcains, Mus\u00e9e du Design &amp; Art Contemporain, MUDAC, Lausanne, Switzerland<\/p>\n<p><strong>2010<\/strong><br \/>AIC exhibition Mus\u00e9e National de S\u00e8vres, Paris,<\/p>\n<p><strong>2009<\/strong><br \/>50 ans de l&#8217;ACS : C\u00e9ramique de Grand Format, Halles de la Fonderie, Geneva, Switzerland Galerie de l&#8217;H\u00f4tel de Ville, Yverdon-les-Bains, Switzerland Down to Earth, Culturcentrum Gallery, Strombeck, Belgium Gold Porcelain, Mus\u00e9e Bellerive, Zurich, Switzerland<\/p>\n<p><strong>2008<\/strong><br \/>Biennale de Vallauris, France, Switzerland invited<\/p>\n<p><strong>2007<\/strong><br \/>1st Jungzhen International Ceramic Exhibition, Wison Museum, Shanghai, China<\/p>\n<p><strong>2006<\/strong><br \/>Triennale de C\u00e9ramique de Petit Format, Elit-Tile, Santo Domingo 2nd International Small Teapot Exhibition, Saddleback College Gallery, Viejo, California EAO Gallery, Lausanne<\/p>\n<p><strong>2005<\/strong><br \/>Triennale de C\u00e9ramique de Petit Format, Elit-Tile, Santo Domingo 2nd International Small Teapot Exhibition, Galerie Saddleback College, Viejo, California Galerie EAO, Lausanne<\/p>\n<p><strong>2004<\/strong><br \/>1st International Biennial of Contemporary Ceramics, Taipei, Taiwan Galerie HWK, Munich, Germany Sydney Myer Fund International Ceramics Competition, Australia 7th International Biennial of Ceramics, Cairo, Egypt Galerie St. Joseph, Leeu<\/p>\n<p><strong>2003<\/strong><br \/>Kunsthuis Ingrith Desmet, Heule, Belgium 2nd World Biennial of Contemporary Ceramics, Ichon, South Korea 1st International Biennial of Ceramic Tiles, Buenos Aires, Argentina 6th International Biennial of Ceramics, Manises, Vale<\/p>\n<p><strong>2002<\/strong><br \/>AIC Exhibition, Athens, Greece 3rd Elit-Tile Triennial, Santo Domingo<\/p>\n<p><strong>2000<\/strong><br \/>Orton Box Show Competition, Kansas City, USA Sydney Myer Fund International Ceramic Competition, Australia 6th International Ceramic Competition, Taipei County Yingko Ceramics Museum, Taiwan AIC Exhibition, Keramion Museum, Frechen, Germany<\/p>\n<p><strong>1998<\/strong><br \/>International Ceramic Competition, Sydney Myer Fund Gallery, Shepparton, Australia Intercambio 3, Jacobo Borges Museum, Caracas, Venezuela<\/p>\n<p><strong>1996<\/strong><br \/>International Exhibition of Contemporary Ceramics, Total Museum of Contemporary Arts, Seoul, South Korea AIC Exhibition, Saga Prefecture Museum, Saga, Japan C\u00e9ramique Europ\u00e9enne 96, Keramion Museum, Frechen, Germany<\/p>\n<p><strong>1995<\/strong><br \/>International Ceramics Competition \u201cCalligraphy\u201d, Mus\u00e9e de Carouge, Switzerland International Miniprints Exhibition, Barcelona, Spain<\/p>\n<p><strong>1993<\/strong><br \/>7th Biennale de C\u00e9ramique Contemporaine, Ch\u00e2teauroux, France 1st International Ceramics Competition, Sarreguemines, France<\/p>\n<p><strong>1992<\/strong><br \/>3rd Triennale Internationale de Porcelaine, Nyon, Switzerland Configura I, Plastic Arts Show, Erfurt, Germany Ceramic Design Exhibition, Valencia, Spain 1st Triennale Internationale de C\u00e9ramique, Cairo, Egypt<\/p>\n<p><strong>1991<\/strong><br \/>16th Swiss Ceramics Biennial, Winterthur, Switzerland<\/p>\n<p><strong>1990<\/strong><br \/>Galerie B\u00f6wig, Hanover, Germany Galerie Gloria, Nicosia, Cyprus C\u00e9ramistes Contemporains, Ch\u00e2teau d&#8217;Aubonne, Switzerland<\/p>\n<p><strong>1989<\/strong><br \/>C\u00e9ramique Europ\u00e9enne, Auxerre, France Galerie I.N.O.V. Autour de la table\u201d, Mus\u00e9e des Arts D\u00e9coratifs, Lausanne, Switzerland Max Laeuger-Preis exhibition, Mus\u00e9e am Burgdorf, L\u00f6rrach, Germany<\/p>\n<p><strong>1988<\/strong><br \/>\u201cCr\u00e9ations Porcelaines\u201d, Mus\u00e9e Adrien-Dubouchet, Limoges, France<\/p>\n<p><strong>1987<\/strong><br \/>Concours International de C\u00e9ramique D\u00e9cor\u00e9e, Mus\u00e9e de Carouge, Switzerland Porcelaines, Pavillon de l&#8217;Orangerie, Limoges, France<\/p>\n<p><strong>1986<\/strong><br \/>1st Triennale Internationale de Porcelaine, Nyon, Switzerland 44th International Ceramics Competition, Faenza, Italy<\/p>\n<p><strong>1985<\/strong><br \/>13th Swiss Ceramics Biennial, Villa Malpensata, Lugano, Switzerland<\/p>\n<p><strong>1984<\/strong><br \/>9th Biennale Internationale de C\u00e9ramique, Vallauris, France 1st Triennale Mondiale de C\u00e9ramique de Petit Format, Zagreb, Croatia Die Kaffeekanne, Museum Wilhem Hack, Ludswighafen\/Rhein, Germany<\/p>\n<p>[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Works in the collections&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p>Various private collections in Switzerland and abroad Mus\u00e9e National de C\u00e9ramique de S\u00e8vres, Paris, France<\/p>\n<p>Everson Museum, Syracuse\/New York, USA<\/p>\n<p>Collection d&#8217;Art de la Ville de Berne, Switzerland Collection Pro Helvetia Foundation, Switzerland<\/p>\n<p>Saga Prefectural Museum, Japan Keramion Museum, Frechen, Germany Sydney Myer Foundation, Australia<\/p>\n<p>Taipei County Yingko Museum, Taipei, Taiwan Ichon Ceramic Museum, South Korea<\/p>\n<p>Mus\u00e9e Benaki, Athens, Greece Mus\u00e9e Ariana, Geneve, Switzerland<\/p>\n<p>MUDAC, Lausanne, Switzerland<\/p>\n<p>Fonds d&#8217;Art Visuel, Yverdon-les-Bains, Switzerland<\/p>\n<p>Ponce Museum, Puerto Rico<\/p>\n<p>[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Press &#038; publications&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; hover_enabled=&#8221;0&#8243; global_colors_info=&#8221;{}&#8221; sticky_enabled=&#8221;0&#8243;]<\/p>\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n<p><strong>2025<br \/><\/strong>Portait de membre, publication du bulletin de L\u2019AIC, \u00a0mars 2025 <a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/Capture-decran-2025-03-18-a-10.06.41.png\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/pdf.svg\" width=\"18\" height=\"18\" alt=\"Pdf\" class=\"wp-image-549 alignnone size-medium\" title=\"Exhibitions &amp; publications\"><\/a><br \/><a href=\"https:\/\/www.homofaber.com\/en\/discover\/franois-ruegg-idzvxm\" target=\"_blank\" rel=\"noopener\">Homofaber guide\u00a0<\/a>, Michelangelo Fondation<\/p>\n<p><strong>2022<\/strong><br \/>Formes critiques, textes de Myriam Poiatti &amp; Suzanne Rivier, Historiennes de l\u2019Art,<br \/>ISBN 978-2-940587-25-4 \u00a0\u00a92022 <a href=\"https:\/\/esprit-de-la-lettre.swiss\/produit\/m-poiatti-s-rivier-formes-critiques-francois-ruegg\/\" target=\"_blank\" rel=\"noopener\">l\u2019Esprit de la Lettre Editions, Gen\u00e8ve\u00a0<\/a><\/p>\n<p><strong>2017<\/strong><br \/>Statuts\/Statues, 2016-2017, texte par Suzanne Rivier,<br \/><em><span>Cette monographie est compose\u0301e de deux parties distinctes. La premie\u0300re partie accompagne l\u2019exposition de Franc\u0327ois Ruegg Statuts | Statues qui se tient au Muse\u0301e Ariana, a\u0300 Gene\u0300ve, Suisse, du 14 septembre 2017 au 4 mars 2018. Les \u0153uvres pre\u0301sente\u0301es ont e\u0301te\u0301 re\u0301alise\u0301es en Chine, a\u0300 Jingdezhen, entre mars 2016 et juin 2017. La seconde partie est une e\u0301vocation, en chronologie inverse\u0301e, du parcours de l\u2019artiste entre 1985 et 2015.<\/span><\/em><\/p>\n<p><em><span><br \/><\/span><\/em><a href=\"https:\/\/esprit-de-la-lettre.swiss\/\" target=\"_blank\" rel=\"noopener\">l\u2019Esprit de la Lettre, Gen\u00e8ve \u00a9 2017 ISBN 978-2-940587-06-3 <\/a><br \/>La porcelaine entre \u00eatre et para\u00eetre, journal Le Temps, par Laurence Chauvy, Gen\u00e8ve <a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/laurence-chauvy-le-temps-Francois-Ruegg.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/pdf.svg\" width=\"18\" height=\"18\" alt=\"Pdf\" class=\"wp-image-549 alignnone size-medium\" title=\"Exhibitions &amp; publications\"><\/a><br \/><a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/a-jour_3-17-Entwurf-V01-glisses-2.pdf\" target=\"_blank\" rel=\"noopener\">A jour<\/a>, texte interview de Miche\u0300le Baeriswyl-Descloux<a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/a-jour_3-17-Entwurf-V01-glisses.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/pdf.svg\" width=\"20\" height=\"20\" alt=\"Pdf\" class=\"wp-image-549 alignnone size-medium\" title=\"Exhibitions &amp; publications\"><\/a><br \/>L&#8217;ambiguit\u00e9 sur socle, Revue ArtPassions, par Viviane Scaramiglia<a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/04\/FRANCOIS-RUEGG-LAMBIGUITe-SUR-SOCLE_135570035.pdf\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/04\/pdf.svg\" width=\"18\" height=\"18\" alt=\"Pdf\" class=\"wp-image-2489 alignnone size-full\" title=\"Exhibitions &amp; publications\"><\/a><\/p>\n<p><strong>2013<\/strong><br \/>Contre nature morte, digital version, edition l&#8217;esprit de la lettre diffusion librairie immateriel<\/p>\n<p><strong>2011<\/strong><br \/>Contre nature morte, text by Myriam Poiatti,<br \/>Convergence Editions, ISBN 978-2-8399-0919-8<\/p>\n<p>Contre nature morte, convergence editions, ISBN 978-2-8399-0919-8<\/p>\n<p><strong>2008<\/strong><br \/><a href=\"https:\/\/www.amazon.com\/Confrontational-Ceramics-Judith-S-Schwartz\/dp\/0812241398\/ref=sr_1_1?ie=UTF8&amp;s=books&amp;qid=1223212443&amp;sr=1-1\" target=\"_blank\" rel=\"noopener\">Confrontional Ceramics book by Judidh Schartz<\/a>, USA 2008, ISBN 978-0-713655-6<\/p>\n<p><strong>2006<\/strong><br \/>Fran\u00e7ois Ruegg, the fragility of the absolute, by Ricard Planas Camps Culture Manager and art critic, El Vendrell, Spain<\/p>\n<p><strong>2005<\/strong><br \/>\u201cTensions &amp; Mutations\u201d by Wendy Dubin, Convergence Edition, Geneva, Switzerland ISBN 2-8399-0074-2<\/p>\n<p>World-famous Ceramic Artist&#8217;s Studios, by B. Ming, Hebei Fine Arts Publishing House, China, ISBN 7-5310-2350-4\/J-1965<\/p>\n<p><strong>2004<\/strong><br \/>Porcelain and Bone China, by Sasha Wardell, Crowood Press, LondonISBN 1 816126-693-6 500 Figures in Clay: Ceramic Artists Celebrate the Human Form, Larksbooks Editor, USA, ISBN 1-57990-547-1<\/p>\n<p><strong>2003<\/strong><br \/>\u201cFran\u00e7ois Ruegg, une approche esth\u00e9tique des sentiments\u201d, by Fr\u00e9d\u00e9ric Bodet, Temp\u00e9rature 2003, magazine of the Association C\u00e9ramique Suisse<\/p>\n<p>500 Bowls, Contemporay Explorations of a Timeless Design, Larksbooks Editor, USA, ISBN 1-57990-362-2 Contemporay Studio Porcelain, by Peter Lane, A&amp;C Black Editor,London, ISBN 0-7136-6637-4<\/p>\n<p><strong>2002<\/strong><br \/>\u201cFran\u00e7ois Ruegg\u201d, by Carmen Gonzalez-Barras,<br \/>Revista Internacional Ceramica, n\u00b0 82, Madrid, Spain<\/p>\n<p>500 Teapots, Contemporary Explorations of a Timeless Design, Larksbooks Editor, USA, ISBN 1-57990-341-X<\/p>\n<p><strong>1994<\/strong><br \/>\u201cArt and shadow, a duality revisited\u201d, by Suzanne Rivier,<\/p>\n<p>in Art &amp; Perception Magazine, n\u00b0 16, Australia<\/p>\n<p><strong>1993<\/strong><br \/>Revue de la C\u00e9ramique et du Verre, n\u00b0 73, France<\/p>\n<p><strong>1992<\/strong><br \/>Portrait d&#8217;artiste, television program, TSR, Switzerland<\/p>\n<p>Slipcasting, by Sasha Wardell, Ceramics Handbooks, A&amp;C Black Editor, London, ISBN 0-7136-4067-7500<\/p>\n<p><strong>1985<\/strong><br \/>Article by S. Dell&#8217;Ava in Revue de la C\u00e9ramique et du Verre, n\u00b0 21, France<\/p>\n<p>Revue des M\u00e9tiers d&#8217;Art, n\u00b0 99, France<\/p>\n<\/div>\n<\/div>\n<p>[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=&#8221;Teaching and workshops&#8221; _builder_version=&#8221;4.27.4&#8243; _module_preset=&#8221;default&#8221; global_colors_info=&#8221;{}&#8221;]<\/p>\n<p><strong>2021<br \/><\/strong>workshop in Terra W Studio, Sao Paulo<strong><br \/>2014<\/strong><br \/>workshop in Newton Studio, Sao Paolo, Brazil<br \/>workshop in Atelie Luiza Christ, Florianopolis, Brazil<br \/>conference in<a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/francoisruegg_-BA.jpg\" target=\"_blank\" rel=\"noopener\"> IUNA<\/a>, Buenos Aires\u00a0<\/p>\n<p><strong>2013<\/strong><br \/>workshop in IVA, VAllauris, France <br \/>workshop in Atelie d&#8217;Arte- Luiza Christ, Florianopolis, Brazil <a href=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/03\/10511334_10154754345615515_2227484922029296102_n-copie.jpg\" target=\"_blank\" rel=\"noopener\"><img loading=\"lazy\" decoding=\"async\" src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/pdf.svg\" width=\"18\" height=\"18\" alt=\"Pdf\" class=\"wp-image-550 alignnone size-full\" title=\"Exhibitions &amp; publications\"><\/a><br \/>Masterclass at Institut d&#8217; Art de Vallauris, France <br \/>Workshop at L&#8217;Institut Superieur des Beaux-Arts de Besan\u00e7on, France<\/p>\n<p><strong>1998 &#8211; 2013<\/strong><br \/>Profesor at the Ecole des Arts D\u00e9coratifs, Geneva, Switzerland, ceramics department<\/p>\n<p><strong>1994 &#8211; 1998<\/strong><br \/>Profesor \u00a0at the Instituto Universitario Superior de Artes Plasticas A . Reveron, Caracas, Venezuela<\/p>\n<p>[\/pac_dtm_child][\/pac_dtm_parent][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Exhibitions &amp; publications<div class=\"et_pb_with_border et_pb_module pac_dtm_parent pac_dtm_parent_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module_inner\">\n\t\t\t\t\t<div class=\"pac_dtm-wrapper pac_dtm-controls-bottom pac_dtm-controls-tablet-bottom pac_dtm-controls-phone-bottom\">\n                <div class=\"pac_dtm-controls pac_dtm-controls-off pac_dtm-controls-tablet-off pac_dtm-controls-phone-off\">\n                    <span class=\"pac_dtm-controls-single pac_dtm-prev\">Prev<\/span>\n                    <ul class=\"navs pac_dtm-navs\" role=\"tablist\">\n                        \n                    <\/ul>\n                    <span class=\"pac_dtm-controls-single pac_dtm-next\">Next<\/span>\n                <\/div>\n                <div class=\"pac_dtm_container pac_dtm-left pac_dtm-tablet-top pac_dtm-phone-top pac_dtm-navstyle-hiddennav\"\n                data-pac_dtm_mobile_menu_icon=\"off\"\n                data-pac_dtm_mobile_menu_icon_state=\"expanded\"\n                data-pac_dtm_tab_change_method=\"click\"\n                data-pac_dtm_tab_change_method_tablet=\"click\"\n                data-pac_dtm_tab_change_method_phone=\"click\"\n                data-pac_dtm_animation=\"on\"\n                data-pac_dtm_rotation=\"off\"\n                data-pac_dtm_rotation_tablet=\"off\"\n                data-pac_dtm_rotation_phone=\"off\"\n                data-pac_dtm_active_tab=\"1\"\n                data-pac_dtm_tabs_deeplinking=\"off\"\n                data-pac_dtm_animation_duration=\"200\"\n                data-pac_dtm_animation_effect=\"fade\"\n                data-pac_dtm_rotation_delay=\"3000\"\n                data-pac_dtm_rotation_onclick=\"off\">\n                    \n                    <ul class=\"pac_dtm_tabnav pac_dtm_tabnav-hidden-off pac_dtm_tabnav-hidden-tablet-off pac_dtm_tabnav-hidden-phone-off pac_dtm-fullwidth-off pac_dtm-fullwidth-tablet-off pac_dtm-fullwidth-phone-off\" role=\"tablist\">\n                        \n                    <\/ul>\n                    <div class=\"pac_dtm_child_container fade\">\n                        \n                    <\/div>\n                <\/div>\n            <\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div><div class=\"et_pb_module pac_dtm_child pac_dtm_child_0\">\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t\n\t\t\t\t<div class=\"et_pb_module_inner\">\n\t\t\t\t\t<div class=\"pac_dtm-child\" id=\"pac_dtm_child_0\" data-index=\"-1\">\n\t\t\t\t\t\n\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t<\/div>20121st Prize at the Biennale Internationale de C\u00e9ramique [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"[et_pb_section fb_built=\"1\" custom_padding_last_edited=\"on|desktop\" _builder_version=\"4.27.4\" _module_preset=\"default\" custom_margin=\"0px||0px||false|false\" custom_padding=\"100px|30px|115px|30px|false|true\" custom_padding_tablet=\"70px|15px|85px|15px|false|true\" custom_padding_phone=\"40px||55px||false|true\" global_colors_info=\"{}\"][et_pb_row _builder_version=\"4.27.4\" _module_preset=\"default\" custom_margin=\"0px||0px||false|false\" custom_padding=\"0px||0px||false|false\" global_colors_info=\"{}\"][et_pb_column type=\"4_4\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"][et_pb_text _builder_version=\"4.27.4\" _module_preset=\"default\" header_text_align=\"center\" header_text_color=\"rgba(21,21,21,0.6)\" header_font_size=\"50px\" custom_margin=\"0px||45px||false|false\" custom_margin_tablet=\"||30px||false|false\" custom_margin_phone=\"||25px||false|false\" custom_margin_last_edited=\"on|desktop\" custom_padding=\"0px||0px||false|false\" header_font_size_tablet=\"42px\" header_font_size_phone=\"34px\" header_font_size_last_edited=\"on|desktop\" global_colors_info=\"{}\"]\n<h1>Expositions &amp; publications<\/h1>\n[\/et_pb_text][pac_dtm_parent pac_dtm_position=\"left\" pac_dtm_full_width_gap=\"0px\" pac_dtm_animation=\"on\" pac_dtm_animation_duration=\"200\" pac_dtm_show_subtitle_inactive=\"off\" pac_dtm_show_icon_img_inactive=\"off\" pac_dtm_inactive_tab_background_color=\"#FFFFFF\" pac_dtm_tab_padding=\"10px|15px|10px|15px|false|true\" pac_dtm_tab_content_padding=\"0px|0px|0px|0px|false|false\" pac_dtm_content_scroll_width=\"0px\" pac_dtm_tab_padding_tablet=\"|0px||0px|false|true\" pac_dtm_tab_padding_last_edited=\"off|desktop\" _builder_version=\"4.27.4\" _module_preset=\"default\" pac_dtm_tab_content_fonts_font_size=\"17px\" pac_dtm_tab_content_fonts_line_height=\"1.2em\" pac_dtm_tab_title_fonts_text_color=\"#151515\" pac_dtm_tab_title_fonts_font_size=\"17px\" pac_dtm_tab_title_fonts_line_height=\"1.2em\" pac_dtm_tab_subtitle_fonts_text_color=\"#151515\" pac_dtm_active_tab_title_fonts_font=\"||||on||||\" pac_dtm_active_tab_title_fonts_font_size=\"17px\" pac_dtm_active_tab_title_fonts_line_height=\"1.2em\" custom_margin=\"0px||0px||false|false\" custom_padding=\"0px||0px||false|false\" hover_enabled=\"0\" pac_dtm_tab_content_fonts_font_size_tablet=\"16px\" pac_dtm_tab_content_fonts_font_size_phone=\"16px\" pac_dtm_tab_content_fonts_font_size_last_edited=\"on|desktop\" pac_dtm_tab_title_fonts_font_size_tablet=\"16px\" pac_dtm_tab_title_fonts_font_size_phone=\"16px\" pac_dtm_tab_title_fonts_font_size_last_edited=\"on|desktop\" pac_dtm_active_tab_title_fonts_font_size_tablet=\"16px\" pac_dtm_active_tab_title_fonts_font_size_phone=\"16px\" pac_dtm_active_tab_title_fonts_font_size_last_edited=\"on|desktop\" border_width_bottom_pac_dtm_tab_border=\"1px\" border_color_bottom_pac_dtm_tab_border=\"rgba(21,21,21,0.1)\" global_colors_info=\"{}\" sticky_enabled=\"0\"][pac_dtm_child pac_dtm_tab_label=\"Prix et distinctions\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\n<strong>2012\n<\/strong>1er Prix \u00e0 la Biennale Internationale de C\u00e9ramique Contemporaine, Andenne, Belgique\n\n<strong>2006<\/strong>\n2\u00e8me Prix au Concours de International Small Teapot, Saddleback Gallery, Mission Viejo, Californie, USA\n\n<strong>2005<\/strong>\n1er Prix \u00e0 la Biennale Internationale de C\u00e9ramique Contemporaine, El Vendrell, Espagne\n\n<strong>2004<\/strong>\nDistinction du Jury au 5\u00e8me Mashiko International Ceramics Contest, Japon\n\n<strong>2003<\/strong>\n1er Prix \u00e0 la Biennale Internationale de Carreaux C\u00e9ramique, Buenos Aires\nMention Honorable \u00e0 la 2\u00e8me Biennale World International, Cor\u00e9e du Sud\nMention a la 6\u00e8me Biennale Internationale de C\u00e9ramique, Manises, Espagne\n\n<strong>2001<\/strong>\nM\u00e9daille de Bronze, Prix \u00e0 la 1\u00e8re World International Ceramics Biennal, Mus\u00e9e Ichon Ceramic, Seoul, Korea\n\n<strong>2000<\/strong>\nPrix du Jury \u00e0 la 6\u00e8me Golden International Competition, Taipei, Taiwan\n\n<strong>1999<\/strong>\nMention a la 4\u00e8me Biennale ACS \u00ab Le Plat \u00bb, Soleure, Suisse\nPrix \u00e0 la 2\u00e8me Triennale de C\u00e9ramique Elit-Tile, Santo Domingo\n\n<strong>1998<\/strong>\nPrix \u00ab Acquisition \u00bb a la Sydney Myer International Ceramics Award, Shepparton, Australie\n\n<strong>1997<\/strong>\nPrix Zadar \u00e0 la 5\u00e8me Triennale Internationale de C\u00e9ramique de petit Format, Zagreb, Croatie\n\n<strong>1996<\/strong>\nMention \u00e0 la 1\u00e8re Triennale Internationale de C\u00e9ramique, Belgrade, Serbie\n\n<strong>1989<\/strong>\n1er Prix \u00e0 la 15 \u00e8me Biennale de C\u00e9ramique Suisse, Yverdon-les-Bains, Suisse\n\n<strong>1984<\/strong>\nMention a la 9\u00e8me Biennale Internationale de C\u00e9ramique, Vallauris, France\n\n<strong>1981<\/strong>\nPrix Bourse Lissignol de la Ville de Gen\u00e8ve, Suisse\n\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Expositions personnelles\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\n<strong>2017-2018<\/strong>\nMus\u00e9e Ariana, Gen\u00e8ve\n\n<strong>2017<\/strong>\nView Space Gallery, Jingdezehen, China\n\n<strong>2014<\/strong>\nGalerie Verve, Sao Paolo, Br\u00e9sil\nGalerie \u00e0 Rebours, Favardin &amp; Mistre, Paris\nGalerie Puls, Bruxelles, Belgique\n\n<strong>2011<\/strong>\nGalerie Lionel Latham, Gen\u00e8ve, Suisse\n\n<strong>2005<\/strong>\nGalerie Lionel Latham, Gen\u00e8ve, Suisse\n\n<strong>2003<\/strong>\nGalerie Das Ding ,Lucerne, Suisse\n\n<strong>1998<\/strong>\nGalerie 5, Carouge, Suisse\n\n<strong>1995<\/strong>\nGalerie Arte &amp; Fuego, Caracas, Venezuela\n\n<strong>1993<\/strong>\nGalerie Marianne Brand, Carouge, Suisse\nGalerie Lanka Ceramics, Colombo, Sri Lanka\n\n<strong>1987<\/strong>\nGalerie Lionel Latham, Gen\u00e8ve, Suisse\n\n<strong>1986<\/strong>\nGalerie Utopia, Lausanne, Suisse\n\n<strong>1985<\/strong>\nGalerie CGA, Gen\u00e8ve, Suisse\n\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Expositions et Concours\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\n<strong>2022<\/strong>\nHomo Faber. Crafting a more human future \u2013 Porcelain virtuosity,\nFondazione Giorgio Cini, Venise,Italie\nMelting Pot, Swissceramics, Ch\u00e2teau de Nyon,CH\nComment changer du plomb en or, Centre d\u2019Art Contemporain Yverdon, CH\n\n<strong>2018<\/strong>\nObjects in mirror are closer than they appear, Kunstforum Gallery, Solothurn, Suisse\n\n<strong>2017<\/strong>\nThe Second International Ceramics Exhibition Qingdao Sculpture Art Museum, Qingdao, Chine\n\n<strong>2016<\/strong>\nEast and West Invitational Ceramic Exhibition, Heritage and Diversity, Hanyang University Museum, Seoul, cor\u00e9e du Sud\n\n<strong>2013<\/strong>\nGalerie KisstheDesign, Lausanne, Suisse\n\n<strong>2012<\/strong>\n12\u00e8me Concours International de C\u00e9ramique Contemporaine, CERCO, Espagne Exposition de l\u2019AIC, au New Mexico Museum of Art, Santa Fe, USA Black is not Black, Galerie Picci, Lausanne, Suisse\n\n<strong>2011<\/strong>\nHelv\u00e8tes Vulcains, Mus\u00e9e du Design &amp; Art Contemporain, MUDAC, Lausanne, Suisse\n\n<strong>2010<\/strong>\nExposition de l\u2019AIC Mus\u00e9e National de S\u00e8vres, Paris,\n\n<strong>2009<\/strong>\n50 ans de l\u2019ACS : C\u00e9ramique de Grand Format, Halles de la Fonderie, Gen\u00e8ve, Suisse Galerie de l\u2019H\u00f4tel de Ville, Yverdon-les-Bains, Suisse Down to Earth, Culturcentrum Gallery, Strombeck, Belgique Gold Porcelain, Mus\u00e9e Bellerive, Zurich, Suisse\n\n<strong>2008<\/strong>\nBiennale de Vallauris, France, la Suisse invit\u00e9e\n\n<strong>2007<\/strong>\n1\u00e8re Jungzhen International Ceramic Exhibition, Mus\u00e9e Wison,Shanghai, Chine\n\n<strong>2006<\/strong>\nTriennale de C\u00e9ramique de Petit Format, Elit-Tile, Santo Domingo 2\u00e8me International Small Teapot Exhibition, Galerie Saddleback College, Viejo, Californie Galerie EAO, Lausanne\n\n<strong>2005<\/strong>\nTriennale de C\u00e9ramique de Petit Format, Elit-Tile, Santo Domingo 2\u00e8me International Small Teapot Exhibition, Galerie Saddleback College, Viejo, Californie Galerie EAO, Lausanne\n\n<strong>2004<\/strong>\n1\u00e8re Biennale Internationale de C\u00e9ramique Contemporaine, Taipei, Taiwan Galerie HWK, Munich, Allemagne Concours Sydney Myer Fund International Ceramics, Australie 7\u00e8me Biennale Internationale de C\u00e9ramique, Le Caire, Egypte Galerie St. Joseph, Leeu\n\n<strong>2003<\/strong>\nKunsthuis Ingrith Desmet, Heule, Belgique 2\u00e8me Biennale Mondiale de C\u00e9ramique Contemporaine, Ichon, Cor\u00e9e du Sud 1\u00e8re Biennale Internationale de Carreaux C\u00e9ramique, Buenos Aires, Argentine 6\u00e8me Biennale Internationale de C\u00e9ramique, Manises, Vale\n\n<strong>2002<\/strong>\nExposition AIC, Ath\u00e8nes, Gr\u00e8ce 3\u00e8me Triennale Elit-Tile, Santo Domingo\n\n<strong>2000<\/strong>\nConcours Orton Box Show, Kansas City, USA Sydney Myer Fund International Ceramic Competition, Australie 6\u00e8me Concours International de C\u00e9ramique, Mus\u00e9e Taipei County Yingko Ceramics, Taiwan Exposition AIC, Mus\u00e9e Keramion, Frechen, Allemagne\n\n<strong>1998<\/strong>\nConcours International de C\u00e9ramique, Galerie Sydney Myer Fund , Shepparton, Australie Intercambio 3, Mus\u00e9e Jacobo Borges, Caracas, Venezuela\n\n<strong>1996<\/strong>\nExposition Internationale de C\u00e9ramique Contemporaine, Mus\u00e9e Total of Contemporary Arts, Seoul, Cor\u00e9e du Sud Exposition AIC, Mus\u00e9e Saga Prefecture, Saga, Japon C\u00e9ramique Europ\u00e9enne 96, Mus\u00e9e Keramion, Frechen, Allemagne\n\n<strong>1995<\/strong>\nConcours International de C\u00e9ramique\u00ab Calligraphie \u00bb, Mus\u00e9e de Carouge , Suisse Exposition Internationale de Miniprints, Barcelone, Espagne\n\n<strong>1993<\/strong>\n7\u00e8me Biennale de C\u00e9ramique Contemporaine, Ch\u00e2teauroux, France 1er Concours International de C\u00e9ramique, Sarreguemines, France\n\n<strong>1992<\/strong>\n3\u00e8me Triennale Internationale de Porcelaine, Nyon, Suisse Configura I, Plastic Arts Show, Erfurt, Allemagne Exposition de Design C\u00e9ramique, Valencia, Espagne 1\u00e8re Triennale Internationale de C\u00e9ramique, Le Caire, Egypte\n\n<strong>1991<\/strong>\n16\u00e8me Biennale de C\u00e9ramique Suisse, Winterthur, Suisse\n\n<strong>1990<\/strong>\nGalerie B\u00f6wig, Hanovre, Allemagne Galerie Gloria, Nicosie, Chypre C\u00e9ramistes Contemporains, Ch\u00e2teau d\u2019Aubonne, Suisse\n\n<strong>1989<\/strong>\nC\u00e9ramique Europ\u00e9enne, Auxerre, France Galerie I.N.O.V. , Paris, France \u00ab Autour de la table \u00bb, Mus\u00e9e des Arts D\u00e9coratifs, Lausanne, Suisse Exposition Max Laeuger-Preis, Mus\u00e9e am Burgdorf, L\u00f6rrach, Allemagne\n\n<strong>1988<\/strong>\n\u00ab Cr\u00e9ations Porcelaines \u00bb, Mus\u00e9e Adrien-Dubouchet, Limoges, France\n\n<strong>1987<\/strong>\nConcours International de C\u00e9ramique D\u00e9cor\u00e9e, Mus\u00e9e de Carouge, Suisse Porcelaines, Pavillon de l\u2019Orangerie, Limoges, France\n\n<strong>1986<\/strong>\n1\u00e8re Triennale Internationale de Porcelaine, Nyon, Suisse 44\u00e8me Concours International de C\u00e9ramique, Faenza, Italie\n\n<strong>1985<\/strong>\n13\u00e8me Biennale de C\u00e9ramique Suisse,Villa Malpensata, Lugano, Suisse\n\n<strong>1984<\/strong>\n9\u00e8me Biennale Internationale de C\u00e9ramique, Vallauris, France 1\u00e8re Triennale Mondiale de C\u00e9ramique de Petit Format, Zagreb, Croatie Die Kaffeekanne, Mus\u00e9e Wilhem Hack, Ludswighafen\/Rhein, Allemagne\n\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Oeuvres dans les collections\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\nDiff\u00e9rentes collections priv\u00e9es en Suisse et \u00e0 l\u2019\u00e9tranger Mus\u00e9e National de C\u00e9ramique de S\u00e8vres, Paris, France\n\nMus\u00e9e Everson, Syracuse\/New-York, USA\n\nCollection d\u2019Art de la Ville de Berne, Suisse Collection Fondation Pro Helvetia, Suisse\n\nMus\u00e9e de la Pr\u00e9fecture de Saga, Japon Mus\u00e9e Keramion, Frechen, Allemagne Fondation Sydney Myer, Australie\n\nTaipei County Yingko Museum, Taipei, Taiwan Ichon Ceramic Museum, Cor\u00e9e du Sud\n\nMus\u00e9e Benaki, Athens, Gr\u00e8ce Mus\u00e9e Ariana, Geneve, Suisse\n\nMUDAC, Lausanne,Suisse\n\nFonds d\u2019Art Visuel, Yverdon-les-Bains, Suisse\n\nMus\u00e9e Ponce, Porto Rico\n\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Presse & publications\" _builder_version=\"4.27.4\" _module_preset=\"default\" hover_enabled=\"0\" global_colors_info=\"{}\" sticky_enabled=\"0\"]\n<div class=\"wpb_text_column wpb_content_element \">\n<div class=\"wpb_wrapper\">\n\n<strong>2022<\/strong>\nFormes critiques, textes de Myriam Poiatti &amp; Suzanne Rivier, Historiennes de l\u2019Art, ISBN 978-2-940587-25-4 ,\u00a92022 <a href=\"https:\/\/esprit-de-la-lettre.swiss\/les-collections\/perspectives\/\" target=\"_blank\" rel=\"noopener\">l\u2019Esprit de la Lettre Editions, Gen\u00e8ve <img src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/lien.svg\" width=\"18\" height=\"18\" alt=\"\" class=\"wp-image-551 alignnone size-medium\" \/><\/a>\n\n<strong>2017<\/strong>\nStatuts\/Statues, 2016-2017, texte par Suzanne Rivier,\n\n<a href=\"https:\/\/esprit-de-la-lettre.swiss\/\" target=\"_blank\" rel=\"noopener\">l\u2019Esprit de la Lettre, Gen\u00e8ve \u00a9 2017 ISBN 978-2-940587-06-3 <img src=\"https:\/\/francoisruegg.com\/wp-content\/uploads\/2025\/02\/lien.svg\" width=\"18\" height=\"18\" alt=\"\" class=\"wp-image-551 alignnone size-medium\" \/><\/a>\n\n<strong>2013<\/strong>\n<span>Contre nature morte, digital version, edition l\u2019esprit de la lettre diffusion librairie immateriel<\/span>\n\n<strong>2011<\/strong>\nContre nature morte, texte de Myriam Poiatti,\nConvergence Editions, ISBN 978-2-8399-0919-8\n\n<span>Contre Nature morte, convergence editions, ISBN 978-2-8399-0919-8<\/span>\n\n<span><strong>2008<\/strong>\nConfrontional Ceramics book by Judidh Schartz, USA 2008, ISBN 978-0-713655-6<\/span>\n\n<strong>2006<\/strong>\nFran\u00e7ois Ruegg, the fragility of the absolute, par Ricard Planas Camps Culture Manager et critique d\u2019art, , El Vendrell, Espagne\n\n<strong>2005<\/strong>\n\u00ab Tensions &amp; Mutations \u00bb par Wendy Dubin, Convergence Edition, Gen\u00e8ve, Suisse ISBN 2-8399-0074-2\n\n<span>World-famous Ceramic Artist\u2019s Studios, by B. Ming, Hebei Fine Arts Publishing House, China, ISBN 7-5310-2350-4\/J-1965<\/span>\n\n<span><strong>2004<\/strong>\nPorcelain and Bone China, by Sasha Wardell, Crowood Press, LondonISBN 1 816126-693-6 500 Figures in Clay: Ceramic Artists Celebrate the Human Form, Larksbooks Editor, USA, ISBN 1-57990-547-1<\/span>\n\n<strong>2003<\/strong>\n\u00ab Fran\u00e7ois Ruegg, une approche esth\u00e9tique des sentiments \u00bb, par Fr\u00e9d\u00e9ric Bodet, Temp\u00e9rature 2003, revue de l\u2019Association C\u00e9ramique Suisse\n\n<span>500 Bowls, Contemporay Explorations of a Timeless Design, Larksbooks Editor, USA, ISBN 1-57990-362-2 Contemporay Studio Porcelain, by Peter Lane, A&amp;C Black Editor,London, ISBN 0-7136-6637-4<\/span>\n\n<strong>2002<\/strong>\n\u00ab Fran\u00e7ois Ruegg \u00bb, par Carmen Gonzalez-Barras,\nRevista Internacional Ceramica, n\u00b0 82, Madrid, Espagne\n\n<span>500 Teapots, Contemporay Explorations of a Timeless Design, Larksbooks Editor, USA, ISBN 1-57990-341-X<\/span>\n\n<strong>1994<\/strong>\n\u00ab Art and shadow, a duality revisited \u00bb, par Suzanne Rivier,\n\nin Art &amp; Perception Magazine, n\u00b0 16, Australia\n\n<strong>1993<\/strong>\nRevue de la C\u00e9ramique et du Verre, n\u00b0 73, France\n\n<strong>1992<\/strong>\nPortrait d\u2019artiste, \u00e9mission t\u00e9l\u00e9vision, TSR, Suisse\n\n<span>Slipcasting, by Sasha Wardell, Ceramics Handbooks, A&amp;C Black Editor, London, ISBN 0-7136-4067-7500<\/span>\n\n<strong>1985<\/strong>\nArticle par S. Dell\u2019Ava in Revue de la C\u00e9ramique et du Verre, n\u00b0 21, France\n\nRevue des M\u00e9tiers d\u2019Art, n\u00b0 99, France\n\n<\/div>\n<\/div>\n[\/pac_dtm_child][pac_dtm_child pac_dtm_tab_label=\"Enseignements et workshops\" _builder_version=\"4.27.4\" _module_preset=\"default\" global_colors_info=\"{}\"]\n\n<strong>2014<\/strong>\nworkshop in Newton Studio, Sao Paolo, Br\u00e9sil\n\n<strong>2013<\/strong>\nworkshop in IVA, VAllauris, France workshop in Atelie d\u2019Arte- Luiza Christ, Florianopolis, Br\u00e9sil Masterclass \u00e0 l\u2019 Institut d\u2019 Art de Vallauris, France Wokshop \u00e0 L\u2019Institut Superieur des Beaux-Arts de Besan\u00e7on, France\n\n<strong>1998 \u2013 2013<\/strong>\nEnseigne \u00e0 l\u2019Ecole des Arts D\u00e9coratifs, Gen\u00e8ve, Suisse, d\u00e9partement c\u00e9ramique\n\n<strong>1994 \u2013 1998<\/strong>\nEnseigne \u00e0 l\u2019Instituto Universitario Superior de Artes Plasticas A . Reveron, Caracas, Venezuela\n\n[\/pac_dtm_child][\/pac_dtm_parent][\/et_pb_column][\/et_pb_row][\/et_pb_section]","_et_gb_content_width":"","footnotes":""},"class_list":["post-569","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/francoisruegg.com\/en\/wp-json\/wp\/v2\/pages\/569","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/francoisruegg.com\/en\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/francoisruegg.com\/en\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/francoisruegg.com\/en\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/francoisruegg.com\/en\/wp-json\/wp\/v2\/comments?post=569"}],"version-history":[{"count":18,"href":"https:\/\/francoisruegg.com\/en\/wp-json\/wp\/v2\/pages\/569\/revisions"}],"predecessor-version":[{"id":2602,"href":"https:\/\/francoisruegg.com\/en\/wp-json\/wp\/v2\/pages\/569\/revisions\/2602"}],"wp:attachment":[{"href":"https:\/\/francoisruegg.com\/en\/wp-json\/wp\/v2\/media?parent=569"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}